Barsaat Preview

Preview of Barsaat

After Aag (Fire) Raj Kapoor Film the movie Barsaat (Rain).
Barsaat is a story about Love. What wily means love, what the true about love and how it can change people.
The story is about two good friends. Ones is Pran (Raj Kapoor) a song writer the second is Gopal (Prem Nath). Two good friends but so different from each other.
Pran Believe in true love and waiting to the one that will steal his heart. Gopal don’t believe at true love he even don’t know what love means. Gopal is a flirting person. He change woman like a sucks. But he doesn’t know that one of the woman that he spends night with her wily love him and won't to marry him.
Pran and Gopal move to the house on the sea, there pran meet his true love. Rasma (Nargis Dutt) the one that stale his heart and don’t late him sleep in night’s.
Pran fell in love with resma, even she fell in love with him. Gopal woes keep join the bars and meet moor others girls. When his true love waiting for him.
The love story of Pran and Resma get in test of Trust and commitment. After Resma father back home. Resma Father not late her meet pran because he think that pran is using resma love. Resma don’t give up about her love to pran and go meet him again and her father kills her by late her throw in the river.
After what happened to Resma her father asks from pran and gopal to leave the house that they pay for the rent. Pran and gopal leave the house but Pran never forget resma. He woes stile love her even he think she died.
Gopal can’t believe that love can keep Happens even after one of the person die.
Resma is stile a life she away from pran but she a life and she live with same village person that find her next to the river he take care of her and got her back to life. Her first words woes babuji (Sour) the name that he cell pran.
Gopal try to take Pran many place’s to show him that he right, love don’t stay forever.
In the same time the villager person won't to get marry to Resma with out ask her. Resma try to find any way to back to her lover pran, but with out success. Gopal not giving up about pran and take him to many woman. But with out Success.
Pran and Gopal drive next to a wedding party what that they don’t know that it is Resma wedding. When resma and Pran talk about mariachi resma tell pran that in they wedding they not going to play on Sitar(this how she cell is violin) they going to play on shaniya the weeding music tools. When they move next to the wedding party Pran start to remember Resma and ask Gopal to drive away from there.
Gopal not give up and keep take him to others woman. Pran get to understand that same of the woman to this for money for her kids with a father or same other personal problem. Pran decide to drive back to home. In the way to home, pran and gopal move again next to the wedding party. Gopal keep fight with pran and not given up on him. Pran her the Shaniya again and Ask Gopal to make them stop, but gopal woes so angry with Pran and don’t stop scream on him until the woes have a Car Accident and Pran woes hurt in the head. The people from the wedding go to see what happened and take pran in to Resma room until the doctor come to check him. Resma find that it woes her lover pran and hug him. The villager person get angry when he see resma with Pran and he take pran and try to cell him the peoples from the wedding party cell the police and Pran take to the hospital.
The doctor’s woes believe that Pran die but Resma woes believe that he stile a life.
Gopal Blame Resma that what happened to pran it only because her. He tells her if Pran is lives I start believe in love. Pran woes a life and Gopal have change He star believe in love and go to meet his lover. But after she sees him come with Resma hand is hand she kill her self. When gopal come to her it woes so lattes She already woes dead.


My Preview about the movie.

Barsaat is one of Raj Kapoor movie that I wily like.
Barsaat is a Romantic and touching movies about love with a romantic Shooting Place.
Raj Kapoor and Nargis look so young in this movie and so lovely we can fell the beginning of there love story.
This movie includes many Amazing Background music with amazing Soundtrack songs. Amazing Star cast and must best Jodi Raj Kapoor and Nargis Dutt in the beginning way with there company Rk.
Best action of Raj Kapoor and Nargis even Prem Nath woes give an amazing preferment’s.

In this movie also Raj woes use the Dark Effect what make the movie moor Romantic.

There one part in the movie that looks interesting to me is the part when Resma (Nargis) Clean the Dishes and Pran play the violin. Nargis move her hair from her eyes in the way that She woes move her hair with the hands when Raj Kapoor First meets her.

The best part in the movie is the part when Nargis fold in Raj kapoor hands in the way like the Violin. I know it also woes the best part for Raj Kapoor After all He make this screen to be is Company Icon.

Moor best thing in the movie is the English song that Raj Kapoor Play on the Violin.

Today it rains her with lighting. I looking in the windows and see the rain and the light’s. I remember the movie and start to understand how the film woes connect to the Rain. When Rain is coming, People Name at the Romantic time. And same time when you sad like in the movie the Rain can be also you love tears.

My Rate for this movie 10/10 Mine blowing

Write by RajKapoorFan From Raj Kapoor Fanclub
http://s6.zetaboards.com/RajKapoorFanclub/topic/8526500/1/

Aag Album

Aag 1948
Actors : Nargis, Nigar Sultana, Premnath, Raj Kapoor, Vyas B M
Director : Raj Kapoor
Music Director : Ram Ganguly
Producer : RK Films
Theme : Love
Year : 1948

Dekh Chand Ki Or
Dil Toot Gayaji
Kahe Koyal Sour Machaya Re
Na Ankhon Mein Ansoo
Raat Ko Ji
Solah Baras Ki
Zinda Hoon Si Tarah

Nargis Dutt

She woes one of the Amazing Woman of Bollywood movie. I love her from the first time I see the Black and White Movie, Such amazing Woman, The actress of today will never look like her.

Date of Birth
1 June 1929, Calcutta, West Bengal, India

Date of Death
3 May 1981, Bombay, India. (pancreatic cancer)

Birth Name
Fatima A. Rashid


Mini Biography
Nargis Dutt is the sister of Bollywood actor, Anwar Hussain and Akhtar Hussain. After playing the mother of Sunil Dutt in the movie 'Mother India', she subsequently married him. She has three children from the Dutt marriage, namely Bollywood actor, Sanjay Dutt, and two daughters, Priya, and Anju. Her first daughter-in-law, Richa, Sanjay's first wife, passed away due to cancer. Her second daughter-in-law is Rhea Pillai, Sanjay's second wife. Her son suffers from insomnia, and has problems with drugs. He was jailed for terrorist activities during the now infamous Bombay Bomb Blast case of 1993, and he is now facing numerous criminal charges in India. Nargis and Bollywood megastar Raj Kapoor formed a reel romantic couple, but it is well known that they had an off-screen romance and intimate relationship as well.

Spouse
Sunil Dutt (1959 - 3 May 1981) (her death) 3 children

Trivia
Daughter of actress, singer and filmmaker Jaddanbai. When she was 5 years old, her mother introduced her as a child star, Baby Rani.
Granddaughter of Motilal Nehru and Daleepabai.
Mother of Sanjay Dutt.
The Indian actress Nargis made her only appearance in a Greek film in Tosa oneira stous dromous (1968). Her movies were popular in Greece.
Formed one of the most popular Hindi on-screen couples with Raj Kapoor. Off-screen, she was deeply in love with the already married Raj Kapoor.
In Mother India (1957), she played Sunil Dutt's mother. While shooting for the film, Sunil rescued her when she was trapped amidst lit haystacks. The two fell in love, and later married.
Nargis was the first actor to be honored with the Padmashree Award; she was also nominated to the Rajya Sabha (Indian Parliament) for her charitable work for spastics.
Won the National Award for her role in Raat Aur Din (1967).
Sister of Anwar Hussain and Akhtar Hussain.
In movies, she often played the role of women caught in a dilemma of the heart leading to a tragic ending.

Nargis Topic on the Forum
http://z6.invisionfree.com/RKForum/index.php?showtopic=42&st=0

Radhu Karmakar

"When Nargis left R. K. Films in 1956, after her cameo in Jagte Raho, Raj Kapoor was devastated. He could not get over the fact that Nargis had indeed left him for good. He was tormented and had the appearance of a man who had lost his soul, as indeed he had. It was Nargis who was his inspiration from Aag onwards and he was artistically, a lonely man without moorings..."

These are some excerpts from the autobiographical book of Radhu Karmakar, the great camera artiste of Raj Kapoor. This book "Radhu Karmakar - The Painter of Lights" is the story, in his own words, of a very talented and self-effacing person who was a genius behind the camera. Radhu Karmakar desired neither fame nor fortune, and his ultimate ambition in life was to make a perfect film like Orson Welles' "Citizen Kane", says his wife Bani Karmakar.

Long dark path

Radhu started his film career with "Kismat ki Dhani" (1945) which was followed by "Milan" (1946, director Nitin Bose), and other super hits like "Jis Desh Mein Ganga Bahti Hai" (1958, Radhu Karmakar), "Mera Naam Joker" (1965, RK). "Param Vir Chakra", completed in 1995, was has last film.

Radhu has painstakingly studied the art of different cinematographers. From this book, we come to know that Radhu travelled a long dark path to attain the light of success. His years of struggle continued from 1931 to 1938. "I struggled a lot under stress," he writes.This interesting book opens the doors of nostalgia and re-explores the pretty as well as bitter side of the film industry. We come across the familiar stories of Bombay Talkies, Devika Rani and Ashok Kumar but in a different perspective. Since Radhu was a creative light and camera artiste, he had a close view of great personalities. This book moves in phases. Part one comprises Flash Back (1896-1960) and then it proceeds from the golden age to the Nargis era and finally fades out with Raj Kapoor.

http://z6.invisionfree.com/RKForum/index.php?showtopic=616

Aag Film, conversation from the Forum

kkm:

ok first some off screen stuff the begining

The film was ready to go on the floors and Raj was determined to get himself the best studio in town. Famous Studio in Mumbai’s central suburb, Mahalaxmi, had been highly recommended to him. He’d heard that Jaddan Bai was at Famous Studio where her son Akhtar Hussain was shooting Romeo and Juliet, the first production of Nargis Art Concern. Raj rushed to the studio to meet bibiji with the intention of quizzing her about the facilities that Famous offered. But he missed her by minutes. The unit, he was told, had packed up for the day and gone home.

Raj impulsively decided he’d drive on to Marine Drive where Jaddan Bai had her apartment. A quarter of an hour later he was outside her door ringing the bell. Jaddan Bai’s eighteen-year-old daughter Nargis was in the kitchen frying bhajias. Hearing the doorbell peal she rushed to open the door and was so startled by the sight of a blue-eyed, rosy-cheeked stranger shuffling outside her door, that she put a hand nervously up to brush away her untidy locks and smeared her forehead with the besan dough on her fingers. Raj was enchanted by the image of this lovely girl with besan on her forehead and hair. The crimson blush staining her cheeks as she realized what had happened, enhanced the pretty picture. Stammering with embarrassment Nargis asked him shyly who he was. Raj introduced himself as Prithviraj Kapoor’s son. Nargis recalled seeing him in the play, Deewar, at Prithvi Theatre and invited him in. But when Raj enquired about bibiji and learnt that Nargis was at home alone he refused to enter the apartment and hurried away.

He went straight to the home of his scriptwriter, Inder Raj Anand. “I must have that girl in my film. Write her into the screenplay of Aag,” he commanded. And Nargis walked into Aag in the ninth reel.

after reading this
now notice in the opening titles that nargis name comes first

RajKapoorFan:

Thanks again for the good info kkm.

Did you know that Raj make two shoots in this movie?
It look like Raj kapoor do shout of the first song on this movie. You can see that before the song Raj Woes with out his Masestach and then on the song he have at.

kkm:

I think the mustache scene was shot after the completion of the film its more like a portrait for example when we sometimes pose infront of a still camera for a nice photo.

in the above article from net it says that nargis kicks in the movie on 9th reel the total number of reels is 13 so nargis appearance is only 30% in this movie
and what an apperance

RKfan:

While watching Aag I got to see some similarities with Mera Naam Joker, as a matter of fact two of his most personal films.
The first that came to mind is about the "phases" into witch both movies are devided, ok Aag doesn't have the three chapter division but it is build in three times of the life of the main character, the first being his days as a child, then his youth and highschool days, the last one is his adult days with him finding his way in life and his work as a theater director.

A second thing is about visual situations that are found in the two films... the first image is the one while Keval is alone on stage and expressing his feeling in a form of monologue in front of void seets, so similar to the scene where Raju the joker is singing one of the songs into the circus tent and yet again in front of a void place...

A third one is about a clown that in Aag Keval, as a child sees while a circus is coming to his hometown, the clown is just announcing the coming of the shows with the circus...same image is in MNJ only this time the clown presenting the show at the gathering crowd is Raju himself.

Even though I did not analize in full the meaning if any, certainly to me it seems too specific to be only random coincidences.

RajKapoorFan:

Rita I like you Article about the movie and You right The Movie has have three time.

Kkm now that I start play with my video camera I start to know what run in Raj Kapoor Mind when He think to make the second shoot. When you shoot same part You know that you don't always get what you won't. I woes won't to Shoot the Airplain that Woes drive over my sister Work place but then He Over on our Car so close and I missed him and turn the Camera fast to the Second side.

When you work with Camera You have to Be in the Right place in the right time and If you not get what you won't You mast try again and again.

This what I LEARN TODAY.
http://s6.zetaboards.com/RajKapoorFanclub/topic/8526234/1/

Raj Kapoor Life

This is a little Clip that all The people that work with Him tell you moor stuff about Him and Maybe Same stuff that you don't know.
Well Enjoy.

kkm :

you must be aware of the film Silsila whose director was yash chopra the film could not do well on box office after some time raj met yash in a party and told him that he made a mistake in the movie and the mistake was that he made the heroine pregnant before marriage which public did not accept
yash admitted that yes that was a mistake

what i am getting at is that how sharp his mind was to identify the mistake

http://z6.invisionfree.com/RKForum/index.php?showtopic=254

Melody-master Raj Kapoor

Melody-master Raj Kapoor
By I.M. Soni

RAJ Kapoor was a melody-master par excellence. Lata Mangeshkar says, “One thing I have noticed through the years — that, no matter who be the music director of an RK film, in the end the music is given by Raj Kapoor himself.”

He was unlike others who engage a music director and the lyrics are set to tunes. He “composed” the tunes himself and stored them to be used later in his films as when the situation demanded.

O basanti pavan pagal... was shaped into a beautiful song in “Jis Desh Mein Ganga Behti Hai.” But it was first used in a snatch as background music in “Awaara” when Prithviraj Kapoor visits his son in jail and calls him “beta” for the first time.

Sun sahiba sun...was approved by Raj Kapoor for RK’s “Ajanta” as far back as 1952. The film did not go on the floor at all.

Raj had visualised the song on Nargis, but it was finally picturised on Mandakini decades later.

When Raj Kapoor launched on his career as a film-maker, he had wanted Shanker-Jaikishan for “Aag”, but Ram Ganguly was thrust on him by Prithviraj.

“Aag” launched Mukesh as Raj Kapoor’s ghost voice with Zinda hoon.... Mukesh become Raj’s “soul mate” in the latter’s own words.

Shanker-Jaikishan who evolved a fresh style of music for RK camp were guided and inspired by Raj himself. It was Raj Kapoor who fashioned Lata’s singing technique for the duo, according to Kishore Bhiwani.

The dream sequence in “Awaara” was shot for 23 hours at one stretch. The takes were repeated till Lata’s voice became limpid, a silver stream of sweet melody.

Raj Kapoor was always present at the time of song rendering. Chithiye dard firaaq waaliye... (“Heena”) had been composed and ready for Lata. Raj Kapoor came into the recording room. He changed the tune and the orchestration of Ravindra Jain. Chithiye... thus turned into a tune composed impromptu Raj Kapoor.

Laxmikant-Pyarelal who composed music for “Bobby” said they walked out as the music for the film was given by Raj himself. They had only to arrange it.

Raj Kapoor’s heart was not really in the “Mera Naam Joker” songs sans Lata for reason which may not be stated here. The songs did not come from Raj Kapoor’s heart. The voice was missing. The vision (Nargis)had already vanished.

Lata says in the book named after her: “Very few film makers in our industry have such a grounding in music. He could play the piano, the tabla and the flute... The opening lines of the songs in his films were written by him... and even some of the tunes were composed by him, not entire songs, but the opening lines.”

The music master is gone. Now his ever-haunting legacy of songs will endure like the RK emblem — the lover with a violin in his hand

http://z6.invisionfree.com/RKForum/index.php?showtopic=572

Why Turkey still loves Raj Kapoor?

Hardly anyone knows Amitabh Bachchan in Turkey or for that matter, Aishwarya Rai, the Khans, and other Bollywood icons.

Unlike other Muslim countries including Egypt, Morocco and neighboring Syria, Turkey has remained cold to Bollywood. Once upon a time, and that was long, long time Raj Kapoor's Awara had become a smash hit in Turkey. Why Hindi films slipped off Turkey's cultural radar in the years since remains a mystery.

Imagine our surprise, then, when a group of eight women in the bustling city of Antalya, after confirming that my wife and I were indeed from India, began singing the title song from Raj Kapoor's Awara. They wanted to know if we were staying longer in Antalya, and if we had by any chance DVDs of Indian films. "We also love Mithun Chakraborty," one of them said.

The women, almost all in their 40s, were from Russia, and had settled down in Turkey along with their families. "We like everything here, including the food and climate," one of them said. "And there is very little crime. But we miss Indian films."

Antalya, which gets over a million visitors a year from Germany, has also begun witnessing an influx of newly rich Russians. There are an estimated 50,000 Russian and 80,000 German families settled in Antalya, which has nearly one million citizens.

Last year, some 200,000 visitors from Russia and the former Soviet countries visited Antalya, one of the prettiest and cleanest cities in Turkey, known not only for its archaeological sites but also for organic farms and excellent meat products. In fact, the fondness of Russians for Antalya and a few other Turkish cities was recently a page one story in The New York Times.

As a spinoff effect, cab drivers, tour guides, hotel managers and jewellery merchants, who speak English and German to varying degrees, have now begun speaking in Russian, too.

Raj Kapoor made yet another appearance in another unlikely place -- the ruins of Ephesus. The guide had finished showing us the Roman ruins and cursing the British for stealing many of the pillars and busts and taking them to London over 100 years ago. He then showed us the hill where Mary, mother of Jesus, and John, one of the apostles, are said to have settled down -- which, incidentally, is local belief based on very little actual evidence.

A young woman discusses the evidence, or lack thereof, of this legend with the guide, while the nearly 20 people in our group listen in rapt attention. Suddenly, I felt a gentle tap on my shoulder. A man in his early 40s asked me if I was from India. He then took me off to one side, away from the theological discussion, and recited a few lines in chaste Hindustani.

He then started singing one of the most famous songs from Raj Kapoor's Awara: Dam Bhar Jo Udhar Mu Nah Phera. I tell him that I had the impression people in Turkey didn't care much for Hindi films -- and he likely wasn't even born when Awara was released.

He explains that his father was crazy about the film, and had managed to get a DVD about 15 years ago, from England. "He made us watch the film every week," the man, a cab driver, said. "I think I must have seen it more than 50 times.'

He was surprised to find so many 'Turkish' words, including duniya, in the film. He prided himself on being a bit of a linguist, and pointed out how words from various languages have made into India.

"I think I know at least 100 Turkish words," I tell him. He demands that I demonstrate. With an eye on the guide, who is getting ready to take us to the next site, I reel off the words: Vatan, kanun, hafta, hawa, subji (subze in Turkish), kitab, sharab (sharap, locally).

Masha Allah, I add, pointing at the bright sky that, just a few minutes ago, was dark and gloomy. "You are a Turk or what?!" the man laughs.

http://z6.invisionfree.com/RKForum/index.php?showtopic=558

Aag 1948

If You see Aag and See at with out losing any point. You can find that Raj Kapoor Re Shoot Same Screen.
About what I talking Late I Show. In the beginner of the movie Aag Raj don't Have mustache. (What make weird to see him With out) So I Take to Screen from the Beginner of the Movie


Here you can see Raj Kapoor With out Mustache.


After 2 second from the second screen you See Raj Kapoor With His Mustache

And then Back with out Mustache?


But I love the part with the mustache (Yeah I Name at like that) It so amazing all the place is Dark and only a little Fire next to him. Light his Face.

I love the way he shoot movies amazing!

http://z6.invisionfree.com/RKForum/index.php?showtopic=523

News from Raj Kapoor Fanclub

Before a week we Talk about Same Good Idea that give us our friend from the Forum Kkm.

The Idea is that any Two Weeks we Upload Raj Kapoor Movies from Beginning. Today Is Aag.

First all the members have to Watch the movie Before. Then we comment on the movie including each and every scene, song dialogues,direction etc etc

So every two weeks we going to watch and Comments about Raj Kapoor Movie.

*If you dont have the movies dont worry we upload all the full movie on the Forum Include English Subtitle.

See you all soon

RajKapoorFan

http://z6.invisionfree.com/RKForum/index.php?act=idx

Raj Kapoor

Date of Birth

14 December 1924, Peshawar, British India (now in Pakistan)
Date of Death
2 June 1988, New Delhi, India. (kidney failure, heart failure, asthma)

Birth Name
Ranbir Raj Kapoor
Nickname
Showman of Bollywood


Mini Biography
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.

His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas' ), music composition (Jaikishan Dayabhai Pankal, 'Shankarsinh Raguwanshi' ), and playback singers, including Mukesh, 'Mohamed Rafi' , and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.