RajKapoorfan and haleoyal members from Raj Kapoor Fanclub Play in the next RPG
Saagar: good morning pretty lady
Keemo: good morning mister gentleman
Saagar: Ok be ready we have to leave. Hi we don't have time to think. woman you always need to wait to them that they be ready
Keemo: you must wait me...I'll be ready quickly
Saagar: Quickly that quickly you already 15 minutes there. bhari musibat
Keemo:shut up!...I try to put in order my sarii...
Saagar: why I should be here with this girl ....Sarii?! can you wearing a bans and t - shirt. It be moor fast to wearing
Keemo: hı, hi..me too I don't want to be with you
Saagar: I know but I Already stake with you
Keemo: no..I want to take sarii...wait..
Saagar: ok I wait (Take a cigarette and light at)
Keemo: you are jungle man you know?
Saagar: (take the cigarette out from his mouth) wily? and you what? A rich woman
Keemo: and you?...A poor journalist...Why you say this? (At the same time She is in trouble with her sarii)
Saagar: you coming or I going to leave you here
Keemo: Wait...Wait...I'm ready and I'm here..just for you
Saagar: We don't have time the bus be here any minute
Keemo: where is the bus?...
Saagar: the bus not going in the house late go (he take her begs and go)
Keemo: Don't push me....... jungle man
Saagar: hurry up pretty lady
Keemo: wait please...Don't leave me here alone
Saagar: (He wait and look back) If you not won't to leave here so give me your hand (He reach out his hand to her)
Keemo: no..no..I'm mistaken..You are not jungle man you are a gentleman..wait
Saagar: ok. let's go... (she give him the hand and they look on they each other) ummm....
Keemo:Yes yes let's go....so you are happy?
Saagar: (He look on her and do a face like (VERY FUNNY) And take her out)
Keemo: look the bus come...
Saagar: stop stop. hi. hi stop. no wait...wait
Keemo: stop ...hi...stop why this bus go so quickly..hi
Saagar: no wait no...no (the bus go)
Keemo: ha.. you .see...what we are doing now gentleman?
Saagar: (he look on her) what we doing now?! if I Woes can I will be leave you here. but no now we walk.
Keemo:walk?..oh..no...you are crazy?...to Bangalore?...no..o..I can't
Saagar: Why not? Why you don't won't to walk?
Keemo: I'm really tired..Stop please...Don't have you another solution...?
Saagar: Tried that it you tired we even not start to walk and you tired.
Keemo: And I'm hungry... get something to eat
Saagar: It only 8:15 in the morning
Keemo: but I don't eat this morning...don't you remember mister?
Saagar: umm... woman... (he open the begs and find same fruit ) here eat that
Keemo: OOO...(she looks to fruits...There are two apples)...we have so much for eat...(She start to laugh)
Saagar: Haha... Next time I give you to eat me
Keemo: mister gentleman...(She angry)....hmmm...I start to be angry, you know?
Saagar: Good maybe then your head hurt and you stop talking to much.
Keemo: (SHE so much angry, she beat his hand) stop to make joke..you are cruel..
Saagar: haa... (he look on her) how you call me?
Kemmo: I said that you are cruel...so cruel
Saagar: (he get her hand) I am cruel
Kemmo: I want to eat something good..like breakfast..do you understand? please find something...
Sagaar: (look on her) Breakfast... here? (take the two apple from her eat one and put the second in the beg.
Kemmo: yes...It's funny?...
Sagaar: no... (He start to walk)
Keemo: ok...I obey you and I eat this one apple but don't forget I will be hungry still ...
Sagaar: (he look back) ok (give her the second apple) Lates go
Kemmo: (She follow him...at the same time she start to eat apple)...Don't walk speedily...
Saagar: (he look back and smile)
Keemo: (she smile too and continue TO FOLLOW him eating apple)
(on the road a bus come)
Saagar: (He go to the bus and stop at) Hi pretty lady you come?
Keemo: ok...I'm coming..take my hand.. (Saagar take her hand and they up to the bus) .
Keemo: oh...finally...we are on the bus...( but she eat still apple)
To Read the full RPG:
Raj Kapoor Fanclub
Showing posts with label Chori. Show all posts
Showing posts with label Chori. Show all posts
Nargis Dutt
Monday, February 2, 2009
She woes one of the Amazing Woman of Bollywood movie. I love her from the first time I see the Black and White Movie, Such amazing Woman, The actress of today will never look like her.
Date of Birth
1 June 1929, Calcutta, West Bengal, India
Date of Death
3 May 1981, Bombay, India. (pancreatic cancer)
Birth Name
Fatima A. Rashid
Mini Biography
Nargis Dutt is the sister of Bollywood actor, Anwar Hussain and Akhtar Hussain. After playing the mother of Sunil Dutt in the movie 'Mother India', she subsequently married him. She has three children from the Dutt marriage, namely Bollywood actor, Sanjay Dutt, and two daughters, Priya, and Anju. Her first daughter-in-law, Richa, Sanjay's first wife, passed away due to cancer. Her second daughter-in-law is Rhea Pillai, Sanjay's second wife. Her son suffers from insomnia, and has problems with drugs. He was jailed for terrorist activities during the now infamous Bombay Bomb Blast case of 1993, and he is now facing numerous criminal charges in India. Nargis and Bollywood megastar Raj Kapoor formed a reel romantic couple, but it is well known that they had an off-screen romance and intimate relationship as well.
Spouse
Sunil Dutt (1959 - 3 May 1981) (her death) 3 children
Trivia
Daughter of actress, singer and filmmaker Jaddanbai. When she was 5 years old, her mother introduced her as a child star, Baby Rani.
Granddaughter of Motilal Nehru and Daleepabai.
Mother of Sanjay Dutt.
The Indian actress Nargis made her only appearance in a Greek film in Tosa oneira stous dromous (1968). Her movies were popular in Greece.
Formed one of the most popular Hindi on-screen couples with Raj Kapoor. Off-screen, she was deeply in love with the already married Raj Kapoor.
In Mother India (1957), she played Sunil Dutt's mother. While shooting for the film, Sunil rescued her when she was trapped amidst lit haystacks. The two fell in love, and later married.
Nargis was the first actor to be honored with the Padmashree Award; she was also nominated to the Rajya Sabha (Indian Parliament) for her charitable work for spastics.
Won the National Award for her role in Raat Aur Din (1967).
Sister of Anwar Hussain and Akhtar Hussain.
In movies, she often played the role of women caught in a dilemma of the heart leading to a tragic ending.
Nargis Topic on the Forum
http://z6.invisionfree.com/RKForum/index.php?showtopic=42&st=0
Manna dey
Manna Dey at his best
Dr Mandar V Bichu
Published: April 30, 2006, 00:00
On Friday, the select audience of music lovers and media people at the Cinemasangeet dot com-MMI-organised luncheon were in for a real treat as the legendary singer Manna Dey regaled them with an amazing array of anecdotes, shedding light not only on his own career but also offering a rare personalised glimpse into the historic golden era of Hindi film music.
The octogenarian (who performed in a Signature Events concert later that evening) was in top form as he remembered every minute detail, mimicked personalities at will and even broke into songs in mid-sentence!
Hates interviews
To get Manna Day to talk in this intimate fashion takes some doing for the man simply abhors interviews and interviewers.
"I simply detest people who ask questions without knowing anything about the subject" - is his frank explanation.
I still remember how he had tried to wriggle out of an interview 12 years ago giving me 10 different excuses before agreeing for a short chat.
But then that chat had extended into a three hour-session at the end of which I had even managed to make him sing one-on-one!
While making him agree to do this live public interview session, I reminded him of that encounter, which brought a mischievous smile to his face.
The moment I saw it, I was sure the great man was ready for the challenge!
The history behind Manna
He started off with a tale about his unusual name Manna and said, "Prabodhchandra was the real name given to me by my father Purnachandra Dey but I never liked it.
My uncle and Guru - K.C. Dey, (the great blind singer of Bengal) always used to call me by the nickname - Manna. Somehow I liked that name and changed it officially when I reached college!"
Recounting his early memories of film-industry, Manna Da said, "Composer Shankar Rao Vyas gave me my first film-song in the 1943-film Ramrajya. Actually the producer wanted my uncle to sing that song but he refused and instead suggested my name. In the film, the song was picturised on an old sage Valmiki. In fact, as a twenty-something young guy I mostly ended up singing for white haired old men!"
First real break
"In the 1940s, the playback singers were not given credits on records and that's why many of my earlier songs never received any attention. In those days, I worked as an assistant to music directors like S.D.Burman and Khemchand Prakash and even composed music for many mythological films at the ripe old age of 25. So embarrassed was I to be associated with that music that I used to flatly deny any role in composing such serious, pious songs! Finally in 1950-film Mashal, I got my real break as playback singer when my song Upar Gagan Vishal became a hit. "
A tough fight
Manna Da candidly accepted the fact that he had to always fight for second place as the top spot in those days was reserved for the great Mohammed Rafi.
Without rancour, he remembered how the producers openly pressurised composers to choose other singers over him.
Thus in Basant Bahar, (where he sang superb songs like Sur Na Saje and Bhay Bhanjana), the hero Bharat Bhushan's brother Shashi Bhushan wanted Rafi and in Chori Chori (where he rendered classics like Yeh Raat Bheegi Bheegi and Aaja Sanam) producer A.V. Mayyappan wanted Mukesh as their main singers.
Dey said he remains indebted to composers Shankar- Jaikishan for recognising his talent.
No regrets
He said he didn't rue the missed opportunity of becoming superstar Raj Kapoor's regular playback singer.
According to him, Mukesh shared a great personal friendship with Kapoor and the undercurrent of pathos in that singer's voice suited RK's screen image better.
Remembering Raj Kapoor's great sense of music, Manna Da recounted how the thespian first made the singer sing the Malhar raga and then made composers Shankar- Jaikishan compose a brilliant comedy - classical number Lapak Jhapak for Boot Polish.
Such was Kapoor's musical passion that he even joined Manna Da in the song, lending some comic vocal gimmickry.
The bond with Mehmood
Manna Da fondly remembered his musical bond with comedian Mehmood. He recalled how Pancham (R.D.Burman) had first used his (Manna Da's) voice for Mehmood in the Pati Patni comic number Allah Jaane Main Hoon Kaun, which later became a popular trend.
He also recounted how the comedian used to coax and cajole him to add more masala (spice) to his songs.
Concluding the session, when he lightheartedly described how he absolutely hated finally getting the Filmfare award for an 'ordinary' song like Aye Bhai Zara Dekhke Chalo instead of earlier, better deserving numbers like Nirbal Se Ladai Balwan Ki, Kaun Aaya Mere Man Ke Dware, Poochho Na Kaise and Kasme Vaade Pyar Wafa, the smilingly made observation was subtly tinged with a lingering regret of a great singer who never really got his due!
http://z6.invisionfree.com/RKForum/index.php?showtopic=603
Dr Mandar V Bichu
Published: April 30, 2006, 00:00
On Friday, the select audience of music lovers and media people at the Cinemasangeet dot com-MMI-organised luncheon were in for a real treat as the legendary singer Manna Dey regaled them with an amazing array of anecdotes, shedding light not only on his own career but also offering a rare personalised glimpse into the historic golden era of Hindi film music.
The octogenarian (who performed in a Signature Events concert later that evening) was in top form as he remembered every minute detail, mimicked personalities at will and even broke into songs in mid-sentence!
Hates interviews
To get Manna Day to talk in this intimate fashion takes some doing for the man simply abhors interviews and interviewers.
"I simply detest people who ask questions without knowing anything about the subject" - is his frank explanation.
I still remember how he had tried to wriggle out of an interview 12 years ago giving me 10 different excuses before agreeing for a short chat.
But then that chat had extended into a three hour-session at the end of which I had even managed to make him sing one-on-one!
While making him agree to do this live public interview session, I reminded him of that encounter, which brought a mischievous smile to his face.
The moment I saw it, I was sure the great man was ready for the challenge!
The history behind Manna
He started off with a tale about his unusual name Manna and said, "Prabodhchandra was the real name given to me by my father Purnachandra Dey but I never liked it.
My uncle and Guru - K.C. Dey, (the great blind singer of Bengal) always used to call me by the nickname - Manna. Somehow I liked that name and changed it officially when I reached college!"
Recounting his early memories of film-industry, Manna Da said, "Composer Shankar Rao Vyas gave me my first film-song in the 1943-film Ramrajya. Actually the producer wanted my uncle to sing that song but he refused and instead suggested my name. In the film, the song was picturised on an old sage Valmiki. In fact, as a twenty-something young guy I mostly ended up singing for white haired old men!"
First real break
"In the 1940s, the playback singers were not given credits on records and that's why many of my earlier songs never received any attention. In those days, I worked as an assistant to music directors like S.D.Burman and Khemchand Prakash and even composed music for many mythological films at the ripe old age of 25. So embarrassed was I to be associated with that music that I used to flatly deny any role in composing such serious, pious songs! Finally in 1950-film Mashal, I got my real break as playback singer when my song Upar Gagan Vishal became a hit. "
A tough fight
Manna Da candidly accepted the fact that he had to always fight for second place as the top spot in those days was reserved for the great Mohammed Rafi.
Without rancour, he remembered how the producers openly pressurised composers to choose other singers over him.
Thus in Basant Bahar, (where he sang superb songs like Sur Na Saje and Bhay Bhanjana), the hero Bharat Bhushan's brother Shashi Bhushan wanted Rafi and in Chori Chori (where he rendered classics like Yeh Raat Bheegi Bheegi and Aaja Sanam) producer A.V. Mayyappan wanted Mukesh as their main singers.
Dey said he remains indebted to composers Shankar- Jaikishan for recognising his talent.
No regrets
He said he didn't rue the missed opportunity of becoming superstar Raj Kapoor's regular playback singer.
According to him, Mukesh shared a great personal friendship with Kapoor and the undercurrent of pathos in that singer's voice suited RK's screen image better.
Remembering Raj Kapoor's great sense of music, Manna Da recounted how the thespian first made the singer sing the Malhar raga and then made composers Shankar- Jaikishan compose a brilliant comedy - classical number Lapak Jhapak for Boot Polish.
Such was Kapoor's musical passion that he even joined Manna Da in the song, lending some comic vocal gimmickry.
The bond with Mehmood
Manna Da fondly remembered his musical bond with comedian Mehmood. He recalled how Pancham (R.D.Burman) had first used his (Manna Da's) voice for Mehmood in the Pati Patni comic number Allah Jaane Main Hoon Kaun, which later became a popular trend.
He also recounted how the comedian used to coax and cajole him to add more masala (spice) to his songs.
Concluding the session, when he lightheartedly described how he absolutely hated finally getting the Filmfare award for an 'ordinary' song like Aye Bhai Zara Dekhke Chalo instead of earlier, better deserving numbers like Nirbal Se Ladai Balwan Ki, Kaun Aaya Mere Man Ke Dware, Poochho Na Kaise and Kasme Vaade Pyar Wafa, the smilingly made observation was subtly tinged with a lingering regret of a great singer who never really got his due!
http://z6.invisionfree.com/RKForum/index.php?showtopic=603
Raj Kapoor
Friday, November 21, 2008
Date of Birth
14 December 1924, Peshawar, British India (now in Pakistan)
Date of Death
2 June 1988, New Delhi, India. (kidney failure, heart failure, asthma)
Birth Name
Ranbir Raj Kapoor
Nickname
Showman of Bollywood
Mini Biography
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas' ), music composition (Jaikishan Dayabhai Pankal, 'Shankarsinh Raguwanshi' ), and playback singers, including Mukesh, 'Mohamed Rafi' , and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.
Date of Death
2 June 1988, New Delhi, India. (kidney failure, heart failure, asthma)
Birth Name
Ranbir Raj Kapoor
Nickname
Showman of Bollywood
Mini Biography
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas' ), music composition (Jaikishan Dayabhai Pankal, 'Shankarsinh Raguwanshi' ), and playback singers, including Mukesh, 'Mohamed Rafi' , and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.
Subscribe to:
Posts (Atom)