Dil Ki Rani

Dil Ki Rani


Dil Ki Rani is one of the first movies that Raj Kapoor did. The movie woes write by Y.N. Joshi and Directed by Mohan Sinha. In this movie Raj Kapoor Play next to Madhubala it woes the first movie that they work together and it also the first film of Raj Kapoor alone without his Father Prithviraj Kapoor on the cast.


In this movie Raj Kapoor play a singer and a poet name Madhav. Madhav is a big singer and poet that all the country likes his songs. All madhav songs talk about woman that steal his heart no one know who woes this woman that steal the poet heart.
A woman name Raj Kumari Singh (Madhubala) she one of the biggest fun of Madhav she wont to meet the poet. Her father Thakur Sangram Singh (Badri Prasad) he a paper editor his paper business not going so well He decide to find same subject that make many people to read his paper. One they his daughter give an Idea to interview the poet Madhav for his paper.

Raj Kumari Meet the poet and Madhav name her as his heart staler and the both get in love. But Raj kumari father don’t like poet he say that they flirt with many woman’s. When he get know that Raj Kumari love madhav he woes try to do anything that they not meet. He and his helper Munshiji (Munshi Khanjar) try to do anything to ruing they love story.



First Plan:
After Thakur Sangram Singh and his helper Munshiji find out that Madhav have problem with his tooth munshiji find an Idea what to do. Raj Kumari won’t to make a party and invite Madhav to the party. Her father allow her but not really. He and Munshiji start is plan he go to Madhav house a send him a sweetened and tell him that Raj Kumari Send them to him. Madhav eat them even he know he have problem with his tooth. His Tooth did get hurt but it not stops him to come to the party. And the plan woes not success.


Second Plan:
Thakur Sangram Singh Like madhav friend Banke because the same to each other. He won’t him to marry to Raj Kumari before Madhav marry to her. But Banke don’t believe in love. So what will they do?
Thakur Sangram Singh ask from his daughter to write a love latter and tell her that he going to post at in the paper. Raj kumari write the latter and give that to her father. Her father add Banke name to the latter and send it to him.
Banke turn to be fools in love and tell madhav about at. When madhav hear that banke also love Raj Kumari He deiced to make raj kumari hate him for his best friend.
Is it work? She stop hate him?
No!


Banke decide them the true that he tell madhav that he also in love with raj kumari for testing they love.
And he makes them marry without that her father know. When her father know about that he get angry. But banke make him agree to the wedding after he tell him that he never can do such of thing like this to his best friend.


My Opinion:


The Movie is so short then other movies. The movie includes many great stars but the movie not going so well. I will enjoy seeing Madhubala and Raj Kapoor and both of them on young age Raj Kapoor woes 32 with his long hair (that not wily look good on him) and madhu only 14. This one of they first movies.
Like I read before in many article and in many books, Many people that know Raj Kapoor even his family say that Raj woes always like to sing. I will enjoy hear him singing in this movie. I wily think that he woes great singer. I even hear that he woes sing in his other young film but the song woes never add to the film LP. But stile it woes so fun to hear him singing. Too bad He has only one song but if you see the movie you find am singing there many times.

I enjoy this movie even it not so well. I use to watch only when I fell bad and wont to laugh.
In the End it a wily Sweet and Funny movie

6/10

to watch the movie online:
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Suraiya

Date of Birth
1929, Lahore, Punjab, British India (now Pakistan)

Date of Death
31 January 2004, Bombay, India

Birth Name
Suraiya Jamal Shaikh


Vowed to remain a spinster for the rest of her life after her family opposed her marriage to Dev Anand.





Suraiya play with Raj on Dastan and Also sing the songs.
When I see Suraiya on Dastan and know that she is singing the song I woes understand that sing not only can be as amazing voice. they can also play. I know that Kishore kumar do that too. but she is the first woman that I see her play and sing in movie.
Lata woes close to this too if she woes accept to play in SSS.



Suraiya in old age

Awaara book

It's impossible to remake 'Awara': Randhir Kapoor
Indo Asian News Service
ians.in


Mumbai, Dec 13 (IANS) Randhir Kapoor says he is not interested in remaking his father Raj Kapoor's 1951 classic 'Awara' as it would be impossible to find actors of the same calibre that the film's original cast had.

'Many people came to me and my brothers (Rishi and Rajiv) and asked why don't we remake 'Awara'. I told them that it is absolutely impossible to imitate the classic 'Awara' which is loved so much till today,' Randhir told reporters at the launch of the book 'The Dialogue of Awara; Raj Kapoor's Immortal Classic'.

Written by author-documentary filmmaker Nasreen Munni Kabir, the book was released Saturday, two days before the 85th birth anniversary of legendary Raj Kapoor.

'Where will I get Prithviraj Kapoor, Raj Kapoor, Nargisji and where will I get that innocent looking Shashi Kapoor? I would be making a fool of myself by trying to imitate the film because I won't have actors of that calibre again, even if I copy it frame by frame,' he added.

Raj Kapoor was only 27 when he made 'Awara'. Released in 1951, it became one of the most successful films in his career.

'The Dialogue of Awara...' has the original story, dialogues and screenplay along with the screen shots of the movie.

'When Nasreen Munni Kabir approached me with the idea to transform this great film into a book, I got very excited as it's one of my favourite films ever. I discussed it with my brothers and they were also very keen to bring this film in book form for today's generation to see, read and understand what 'Awara' was all about,' said Randhir.

Thanking the Kapoor family, Kabir said: 'I'm extremely thankful to the Kapoor family. Without their support this wouldn't have been possible. It's by continuously finding new ways to talk about iconic films, we can keep them alive. A book is a way of keeping record of a film in a different way.'

Rishi Kapoor was also present at the event.

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How Raj Kapoor Make that?

I always wont to know how Raj Kapoor make the effects on his movies. Like we know then there woes no computer. So How he make at?

Same time I will Add more stuff that I find to this topic


Lats start with Awaara.
In the end of the song Ghar Aaya Mera Perdesi Rita(Nargis) and Raju show in the left side of the screen and Jaaga Show in the Right side of the screen. Jaaga Get more and more big from Rita and Raju. And He have a knife in his hand And he threatening on Raju. Raju fold and on the right screen Rita show up when she reach out her hands to catch Raju when he keep folding.



What I think is that this shoot woes make by two slide projector and one Camera. One slide projector woes screened on the right side and the second on left. The two slide projector work in the same time and the Camera Shoot every thing that happened on the screen.



















The Both part shoot in the same Room (In the Studio) and in the same situation

Dreams seller

Raj Kapoor Say In his Book "Raj Kapoor Speaks"



After I read at I start to Understand how much it is true and how much Raj woes Know what that will happened in his Movie. there no many movie that you can find Raj have faight or same thing other bad. Maybe just same like:

Awaara, Amber, Chhalia, Dil Hi To Hai, Parvarish, Ashiana, Aah, Main Nashe Men Hoon, Kanhaiya , Do Ustad, Shriman Satyawadi.

Raj Kapoor get many Script. Script that turn to be big Movies But he didn't Directed them, from his differentiation this movie woes not include his dream. the dream that he wont to sale to his viewer.
maybe many people will say that Raj kapoor movies they not a dream they the True the reality. they right he include reality in his movies. the poor, the sadness, there Thief, there poor kids and moor.
But I Will tell you that He woes Sale as a dreams Dreams about Love. Behind all this poor behind all this crime every thing come with love. In life we have lots Of poor people that given up about change they life and not believe that they can get in love and marry because they don't have enough money for buy house, to take care about they kids, send them to school, to buy them clothes. (Shree420)
And then Raj show them that there is away to live if we work together.

from my side this look like a Love dream. Raj Kapoor Give hope to his viewer that they can change.
People say that Life is not Movie but Raj Kapoor Movie will always be the life our life.

Raj Kapoor Fanclub->Raj Kapoor->Raj Kapoor's life

Mehmood Book - who write this Book

Read this
It from Mehmood Book

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6

I am so angry with the person that Write this book. It sound like he dont know noting about Making movies.

When Raj and Mehmood work on Parvarish Mehmood woes stile name as a new actor. Raj Kapoor woes already poplar. The story also talk moor about Raj Kapoor Character and Raj Also have moor Scene shoot on this movie moor then Mehmood...

The song "Oh Mama" that Raj Kapoor and Mehmood Dancing together is one of the favorite song That I like from this movie.
And if you will see this scene again and again you can find the amazing connect between Raj Kapoor and Mehmood they wily look in this film like a two amazing Brother.

I dont know what the person that write this story say about the part from the movie when Raj Kapoor and Mehmood Play with the sword after all there a script that it write to them what to say in any part and the Director tell them how to play.... who say that they say what they wont?

Second.... when Raj Kapoor work on same movie that he dont directed at. He do what the director tell him to do with out try to get his Idea about the movie. the only thing that Raj Alway say to the director is that He be like that Mukesh will sing his song...

After all I like Mehmood. I think he wily funny Actor and I wily like the way he work with Raj Kapoor in Parvarish, Shriman Satyawadi and in Abdullah.
How people get this book out..... this person need to learn moor about movie maker ... It make me angry....

Bewafa

The movie Bewafa it is after all a Movie with good story and biggest stars. The movie talking about a woman cell Roopa. That woes pain from her drunk grandfather that woes hit her every time she back home with out money.
All the neighborhood laugh about her and ridicule on her. But when the real thing happened every one get quiet and have mercy on Roopa.
Roopa Meet a man name Raj that he also live in the same neighborhood. Raj help her to get money for her drunk grandfather every day with out asking pay back.
Until one day when raj woes not in his home Roopa Grand Father throw her out from the house.


Roopa woes so sad about her life she don’t like her live and she try to suicide but then she think to her self first try to live your life.
Roope walk away she don’t know where she going but she keep going.



Then she meet an artist not a big artist but all his draw woes fulling in Felling. When he see Roopa Sleeping next the street Lamp he start drawing her with out stop even for a minute. When Roopa wake up she woes see the artist and scream on him. After that Roopa know that this artist only wont to draw her he wont her to help him to finish the drawing by sit in the same pust. Roopa agree.
The Artist Ashok take Roopa to his studio there the both create many Drawing. Drawing of Pain, sadness, Happiness, Rich, Poor and moor
After all this years all this drawing get to be famous and the both get to be the most rich people.

The love woes built between Ashok and Roopa and the Both decide to Marry soon.
Then Raj back to Roopa Life and Roopa Get in Love With Raj. The Both woes Speend long time together. Ashok Fell same thing not ok abot Raj. He also woes Hit by Roopa Because she woes go out with Raj But he woes also fell same thing not ok about him.
In the End Roopa wind out that Raj woes get into an argument with his frind that ask for him to stole Roope jewelry and Ashok He is the one that love her.
Raj woes Kill by is friend after he don’t bring his to his friend the jewelry of Roopa. When Roopa come back home to Ashok she find him dead after he suicide. After roopa see Ashok die she get crazy and all her drawing that woes set on the walls woes blame her that she kill Ashok. In the end Roopa also die.

The movie Bewafa is a complicated movie. It build by good story and good stars ones of the biggest and the popular stars.but the way that it woes directed make the movie to a confused movie.
Why Raj help her in the beginner and when she get rich he wont to stole from her? Why ashok don’t tell her that he love her and where goes the marriage Idea?
This wily weird.

Confused Movie

I say the movie 6 time until now and it stile look to me a confused movie. All the charcthers in this movie are so darkness. Ever y characters start from poor or failure. Nargis Character Roopa woes wily same to the audience situation. In the beginner she have a drunk and after he get out from the house she thinking to start his life. Then when she get two mans in her life her character get same to the audience situation. She don’t know who she should choose. The Handsome man that help her with her grandfather or Ashok the man with the good heart that help her to to be successful. Every thing Confused.
Nargis Character get to many conflict in this movie. But one thing wily not sound to me ok.


Raj Kapoor Character. Raj Always try to hint to Roopa that he is not nice person like she think he is. Like the part with the birds we can know that Raj is a man that live alone and after you see all the movie you can know that why.




But I also don’t know if her wily love Roopa his character so darkness wily so darkness. In this movie I fell like Raj have two face. But I sure there woes a love in at.

Moor Points that make me nerves about this movie. How long Ashok take for tell to Roopa that he love her. What about the end? Did Roopa wily die in the end?

Same good Point on the movie
I love the story of this movie but I don’t like how the script it woes write it mess every thing up. Raj kapoor Character Kind change from the other character that he play. This show that bad people also have heart even they need to do same thing to they lover. His character change mask many time what make the audience not know if he is the good or the bad one.


The drawing that woes draw for this movie are amazing I love them all but the most amazing Draw woes the last one of Raj and Roopa and Ashok leave the house with pain in his heart. This draw show the real felling of Ashok that he woes hide all the movie.


And how we forget the dance part of Raj kapoor we cant forget this funny part so funny but also so curious.
The song that use on this movies also make in the same level that the movie is. The three first song are happy but then they turn to be sad same to the movie. I Just like 3 song from this movie

My point to this movie is 7/10
The true I Woes like to change the end of the movie.

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Shailendra

[b]Shailendra[/b]
Birth: 30th August 1923
Birthplace: Rawalpindi, Pakistan
Profession: Poet, Bollywood Film song Lyricists


Born in Rawalpindi on 30th August 1923 as Shankardas Kesrilal Shailendra, Shailendra was the eldest of the four sons of Parvati Devi and Sri Kesrilal. During his childhood days his family moved to Mathura for good but the accidental death of his mother after the shift caused a deep pain for Shailendra, which almost turned him an atheist.

Shailendra started his career with the orthodox method of joining the government organization and lead his secure life. His job in Indian Railways brought him to the city of Bombay in 1947, when the Indian freedom struggle was at its best. The stereotype and technical aspect of his job was totally out of line with is artistic nature. He spent more of his duty hours writing poetry than toiling in the workshop. His Incharge always used to complain about his working habits and was the cause of general resentment.

Raj Kapoor discovers Shailendra

Shailendra decided to take part in the Freedom struggle in his own style. He used to write verses and fiery poems, which would ignite the masses. His poem ‘Jalta hai Punjab’ was a highlight and when reading out aloud during a public meeting, Raj Kapoor caught eye of him. Raj Kapoor saw an emerging star for Indian history and expressed his desire to buy the poems Shailendra has written for his new production. Shailendra, the young patriot blood refused to do so. But due to some domestic reasons and responsibilities, Shailendra approached Raj Kapoor and agreed to his terms. His first project was ‘Barsaat’. ‘Barsaat’ is one of the musical hit of the last century.

Shailendra had best of his association with Shankar-Jaikishan, but shared a equally pleasant rappot with musical giants of those days, like Salil Chowdhary (Madhumati), S. N. Tripathi, (Sangeet Samrat Tanseen), S.D. Burman (Guide and Bandini) and Pt. Ravi Shankar (Anuradha).

He won the Filmfare award for Best Lyricist thrice. Out of the three two were won in consecutive years. The first came in 1958 for the song ‘Ye mera deewanapan hai’ from the film Yahudi, and the second in 1959 for the evergreen ‘Sab kuch seekha hamne’ from Anari. In 1968 Shailendra won it again for the third time for ‘Main gaaun tum so jaao’, from 'Brahmachari'.

Shailendra considered his life as his real poetry. He used to derive inspiration from his walks along Juhu beach every morning. He wrote songs for almost all occasions of life, let alone ordinary situations. Those lyrics were vibrantly alive, in the sense they went far beyond the context of the film situation for which they were intended, and lived on long after the film itself had passed from memory. There is a Shailendra song for any emotion, any situation, from birth to death, such was his versatility.

Shailendra's end days

It is quite ironical that for the man who loved life so much, the spectra of death always haunted him. He was obsessed by death. There was no fear involved, but a kind of helplessness drew him towards it. His producing Teesri Kasam caused him several heartaches and it was also the ultimate cause of his death. But what bothered him was not the film's failure at the box-office, but that his investment in friends he trusted and loved went wrong. Shailendra was admitted to the hospital on December 13 1966, but on his way he decided to stop at the famous cottage at the RK Studios to call on Raj Kapoor, where he promised R.K. that he would complete the lyrics for ‘Jeena yahan marna yahan’ for Mera Naam Joker. That was one promise he could never keep, for Shailendra died on the following day, which also happened to be R.K’s birthday. Reading the following lines from 'Anari' can see his obsession for death:

"Ke mar ke bhi kisi ko yaad aaenge
Kisi ke aansuon mein muskuraenge
Kahega phool har kali se baar baar
Jeena isi ka naam hai"

Lyricist Shailendra is most remembered for his outstanding achievements with Raj Kapoor and Shankar Jaikishan in almost all the R.K. films. His death on December 14, 1966 saw one of the leading lights of the film industry extinguished.



Shailendra considered his life as his real poetry. He used to derive inspiration from his walks along Juhu beach every morning. He wrote songs for almost all occasions of life, let alone ordinary situations. Those lyrics were vibrantly alive, in the sense they went far beyond the context of the film situation for which they were intended, and lived on long after the film itself had passed from memory. There is a Shailendra song for any emotion, any situation, from birth to death, such was his versatility.

Shailendra was born in Rawalpindi on 30th August 1923 as Shankardas Kesrilal Shailendra. He was the eldest of the four sons of Parvati Devi and Sri Kesrilal. During his childhood days his family moved to Mathura for good but the accidental death of his mother after the shift caused a deep pain for Shailendra, which almost turned him an atheist. Shailendra started his career with the orthodox method of joining the government organization and lead his secure life. His job in Indian Railways brought him to the city of Bombay in 1947, when the Indian freedom struggle was at its best. The stereotype and technical aspect of his job was totally out of line with is artistic nature. He spent more of his duty hours writing poetry than toiling in the workshop. His Incharge always used to complain about his working habits and was the cause of general resentment.

Raj Kapoor with whom Shailendra gave his best, heard him in a 'Kavi Sammelan' when he was reciting one of his poem. Raj Kapoor saw an emerging star for Indian history and expressed his desire to buy his poems. Shailendra, the young patriot blood refused to do so. But due to some domestic reasons and responsibilities, Shailendra approached Raj Kapoor and agreed to his terms. His first project was 'Barsaat'. Shailendra wrote his first song 'Barsat Mein Tum Se Mile Hum Sajan..' for Raj Kapoor. Eventually, Barsat was also the first film for the emerging music director duo Shankar-Jaikishan. The film proved very successful and after the success of Barsaat Raj Kapoor, Shankar-Jaikishan and Shailendra always worked together.

No doubt, Shailendra gave his best with Shankar-Jaikishan, but he shared equally pleasant rapport with musical giants of those days, like Salil Chowdhary, S. N. Tripathi and S.D. Burman. He was an active member of Progressive Writers' association and one of the founder members of Indian Peoples' Theatre (IPTA). Shailendra won the Filmfare Award for Best Lyricist thrice. Out of the three two were won in consecutive years. The first came in 1958 for the song 'Ye Mera Deewanapan Hai..' from the film Yahudi, and the second in 1959 for 'Sab Kuch Seekha Ham Ne..' from Anari. In 1968 Shailendra won it again for the third time for 'Main Gaaoon Tum So Jao..', from the film Brahmachari.

It is quite ironical that for the man who loved life so much, the spectra of death always haunted him. He was obsessed by death. There was no fear involved, but a kind of helplessness drew him towards it. His producing Teesri Kasam caused him several heart aches and it was also the ultimate cause of his death. Shailendra was admitted to the hospital on December 13, 1966. Shailendra died on the following day, which also happened to be Raj Kapoor's birthday. Lyricist Shailendra is most remembered for his outstanding achievements with Raj Kapoor and Shankar-Jaikishan in almost all the R.K. films. His death on December 14, 1966 saw one of the leading lights of the film industry extinguished.

Article Come from:
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One week to remember; Watching RK films at cinema

Hi everybody it's been quite a lot of time I was absent from this forum.
I'm back with a report of an unforgettable week end in Florence.
It all started few weeks ago when I came to know that the River to River Film Festival was showing some RK's movies honoring him twenty years after his death.

I went there with a group of aficionados willing to see the films as much as I did...
Florence itself is some amazing city you want to visit once in your life, but the excitement was all for the movies...needless to say that it has been the first time for me to watch RK films at a movie theater...well it was Sunday 7th of December and me and my group of friends came to lunch at an Indian restaurant, we were 12 at that time, chatting and eating happily and checking for the clock as we did not want to miss Awara!!
Yes on the afternoon we were going to watch the special film and we were all so happy, up till now I still can't believe it but...we arrived at the cinema and there we met other friends for a total of 17 people almost.
The magic was about to begin, just from the entrance of the movie hall as there were posters from the films Awara, Shri 420 and Bobby.


The hall was full and many among the audience were watching the film for the first time.
How can I express the magic, the dream that has been being there, looking at people's reactions to the film, I was totally fascinated from seeing for the first time in my life Raj saab on a big screen...geez was he the handsomest or what?? So young, elegant, soulful
The audience was captured by the story, the characters and the songs...in the darkness of the cinema I got emotional more than once!!
At the end a big applause came spontaneous from the audience and my friends and I were so happy, the air around us was electric with the magic of RK's Awara, that lovable little/big vagabond has had the ability once again to conquer the hearts of people no matter the distance in time, place or culture.

Next day it was the turn of Shri 420, before that we went to a meeting about RK and his music in films, quite an interesting meeting with a musician and then a fan of RK films too.
it has been so touching listening to a professional in music, a guy from the west saying the same exact things I felt about Raj Kapoor, at some moment this musician, whose name is Paolo Scarnecchia, was pointing to us how RK could reach his audience through "a wave of warmth" the warm of his feelings... I could have said word for word all that he was saying, the innocent gaze of the little vagabond, his humanity... if this wasn't touching enough, later it has come the totally unforgettable expierience of watching my all time beloved movie, again at the beautiful old Odeon Cinema in Florence, with friends...
The copy they did use was original, not a dvd or something and fortunately it all has worked well...you know how it could be with old movies...
Needless to say that during that day I felt happy, more happy than ever before, I knew I had something more in my life, some more richness inside coming from the beauty of watching Shri 420 at the cinema.
Of course I did notice before how handsome Raj saab was, but watching him on a big screen has made me live some unforgettable moments I can barely write and put on words.
I could follow the entire film without reading subtitles for the so many times I had already watched this film on my tiny tv set.
So I could appreciate every single second of it, the songs, the dialogs, costumes and the magic this film can create again and again...looked quite as Raj saab himself was around us during those couple of days...I wish he could have been alive and knowing...maybe somehow he knows how he can touch and let his audience dream, hope and feel a better person through this film all over again.
I wish he could be here now as I could thank and bow to him again and again for the beauty, humanity and innocence he has created with his art/heart.
Of course at the end of the movie the applause has come again, and I left Florence a happier person, aware of the fact that this experience maybe has made me a better person, it has caused my sense of life to grow in a dense and sweet mood.
Wherever you are, thank you so much Raj saab, you heart was big enough to reduce whatever distance between us!

Write By RKfan from Raj Kapoor Fanclub
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A two Tribute Of Raj Kapoor

This video clip copyright by Nurit Zur 2005 - 2008 Other use with this clip with out confirmation to use at or uploud or link at to other website Pleas do not use at in other nonlegal way. Thanks For Watching This Clip Bring from

Raj Kapoor B&W Photo to Colors

All the copyright Save to Nurit Zur/RajKapoorFan

Moor Of Nurit zur work on Raj Kapoor Fanclub Forum
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A poem for Raj KAPOOR - PAIN

It was a look that spring
When blossom the flowers of cherry tree
A cheerful rain silvery
was spilling to us
And
The days were smiling
And
The nights were so eternal....

On the earth
The jasmins
Under the stars shining
And
Under that moonlight
were strewing
with a faithful whiteness
so limpid...

The joy of spring
passed a long time ago
O my youth

Now
The jasmins
And
That moonlight
With his stars shining
Wore a dark pain
In heart sing a song icy...

The joy of spring
passed long time ago
O my heart

Now
The time brings from far
And plants in me
A pain
wearing by a remorse cruel
Without faithfulness...

Hale OYAL ......Novembre 2008 / Istanbul / TURKEY
http://s6.zetaboards.com/RajKapoorFanclub/topic/751921/3/

The Raj Kapoor Factor In Rab Ne Bana Di Jodi

If you are thinking that we are spinning a scoop around the fact that the younger and modern Shah Rukh Khan in RAB NE BANA DI JODI is playing a character which goes by the name of Raj Kapoor, then you are mistaken! Yes, SRK does go by the name Raj Kapoor in the film and is once again essaying the iconic Raj, which he made so endearing and famous after the trendsetting DILWALE DULHANIA LE JAYENGE. A role which many other actors tried to enact unsuccessfully. However, we are referring to the real Raj Kapoor, the original showman of Bollywood, whose presence can be felt many a times in the Aditya Chopra directed Shah Rukh Khan starrer.

Firstly the simpleton character of Shah Rukh Khan (whose screen name is Surinder Sahni in RAB NE...) seems to be inspired by the simple, lovable ragamuffin/vagabond played by the legend, Raj Kapoor in his AWARA/ANARI days. Notice the simplicity and SRK's soft, soothing dialogue delivery style (Surinder Sahni this side ji!) which tug at the heart, much similar to Raj Kapoor's characters in his hey days. Then we have the couple logo of the R.K.Films (more like a dancing couple here) which makes an appearance in the promos and the posters of RAB NE BANA DI JODI And last but not the least, the original showman and his family's presence is highly pronounced in the brilliant dance track, 'Phir Milenge Chalte Chalte', where King Khan pays homage to the greats of Bollywood. And topping the list is of course Raj Kapoor followed by his brother, the great dancing star, Shammi Kapoor and the number ends with his youngest son, the super actor, Rishi Kapoor.
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Chori Chori RPG

RajKapoorfan and haleoyal members from Raj Kapoor Fanclub Play in the next RPG

Saagar: good morning pretty lady
Keemo: good morning mister gentleman
Saagar: Ok be ready we have to leave. Hi we don't have time to think. woman you always need to wait to them that they be ready
Keemo: you must wait me...I'll be ready quickly
Saagar: Quickly that quickly you already 15 minutes there. bhari musibat
Keemo:shut up!...I try to put in order my sarii...
Saagar: why I should be here with this girl ....Sarii?! can you wearing a bans and t - shirt. It be moor fast to wearing
Keemo: hı, hi..me too I don't want to be with you
Saagar: I know but I Already stake with you
Keemo: no..I want to take sarii...wait..
Saagar: ok I wait (Take a cigarette and light at)
Keemo: you are jungle man you know?
Saagar: (take the cigarette out from his mouth) wily? and you what? A rich woman
Keemo: and you?...A poor journalist...Why you say this? (At the same time She is in trouble with her sarii)
Saagar: you coming or I going to leave you here
Keemo: Wait...Wait...I'm ready and I'm here..just for you
Saagar: We don't have time the bus be here any minute
Keemo: where is the bus?...
Saagar: the bus not going in the house late go (he take her begs and go)
Keemo: Don't push me....... jungle man
Saagar: hurry up pretty lady
Keemo: wait please...Don't leave me here alone
Saagar: (He wait and look back) If you not won't to leave here so give me your hand (He reach out his hand to her)
Keemo: no..no..I'm mistaken..You are not jungle man you are a gentleman..wait
Saagar: ok. let's go... (she give him the hand and they look on they each other) ummm....
Keemo:Yes yes let's go....so you are happy?
Saagar: (He look on her and do a face like (VERY FUNNY) And take her out)
Keemo: look the bus come...
Saagar: stop stop. hi. hi stop. no wait...wait
Keemo: stop ...hi...stop why this bus go so quickly..hi
Saagar: no wait no...no (the bus go)
Keemo: ha.. you .see...what we are doing now gentleman?
Saagar: (he look on her) what we doing now?! if I Woes can I will be leave you here. but no now we walk.
Keemo:walk?..oh..no...you are crazy?...to Bangalore?...no..o..I can't
Saagar: Why not? Why you don't won't to walk?
Keemo: I'm really tired..Stop please...Don't have you another solution...?
Saagar: Tried that it you tired we even not start to walk and you tired.
Keemo: And I'm hungry... get something to eat
Saagar: It only 8:15 in the morning
Keemo: but I don't eat this morning...don't you remember mister?
Saagar: umm... woman... (he open the begs and find same fruit ) here eat that
Keemo: OOO...(she looks to fruits...There are two apples)...we have so much for eat...(She start to laugh)
Saagar: Haha... Next time I give you to eat me
Keemo: mister gentleman...(She angry)....hmmm...I start to be angry, you know?
Saagar: Good maybe then your head hurt and you stop talking to much.
Keemo: (SHE so much angry, she beat his hand) stop to make joke..you are cruel..
Saagar: haa... (he look on her) how you call me?
Kemmo: I said that you are cruel...so cruel
Saagar: (he get her hand) I am cruel
Kemmo: I want to eat something good..like breakfast..do you understand? please find something...
Sagaar: (look on her) Breakfast... here? (take the two apple from her eat one and put the second in the beg.
Kemmo: yes...It's funny?...
Sagaar: no... (He start to walk)
Keemo: ok...I obey you and I eat this one apple but don't forget I will be hungry still ...
Sagaar: (he look back) ok (give her the second apple) Lates go
Kemmo: (She follow him...at the same time she start to eat apple)...Don't walk speedily...
Saagar: (he look back and smile)
Keemo: (she smile too and continue TO FOLLOW him eating apple)

(on the road a bus come)
Saagar: (He go to the bus and stop at) Hi pretty lady you come?
Keemo: ok...I'm coming..take my hand.. (Saagar take her hand and they up to the bus) .
Keemo: oh...finally...we are on the bus...( but she eat still apple)

To Read the full RPG:
Raj Kapoor Fanclub

Part from The Kapoor Books

Moor Pages from the book about Raj kapoor
http://s6.zetaboards.com/RKForum/topic/752085/2/

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