It's impossible to remake 'Awara': Randhir Kapoor
Indo Asian News Service
ians.in
Mumbai, Dec 13 (IANS) Randhir Kapoor says he is not interested in remaking his father Raj Kapoor's 1951 classic 'Awara' as it would be impossible to find actors of the same calibre that the film's original cast had.
'Many people came to me and my brothers (Rishi and Rajiv) and asked why don't we remake 'Awara'. I told them that it is absolutely impossible to imitate the classic 'Awara' which is loved so much till today,' Randhir told reporters at the launch of the book 'The Dialogue of Awara; Raj Kapoor's Immortal Classic'.
Written by author-documentary filmmaker Nasreen Munni Kabir, the book was released Saturday, two days before the 85th birth anniversary of legendary Raj Kapoor.
'Where will I get Prithviraj Kapoor, Raj Kapoor, Nargisji and where will I get that innocent looking Shashi Kapoor? I would be making a fool of myself by trying to imitate the film because I won't have actors of that calibre again, even if I copy it frame by frame,' he added.
Raj Kapoor was only 27 when he made 'Awara'. Released in 1951, it became one of the most successful films in his career.
'The Dialogue of Awara...' has the original story, dialogues and screenplay along with the screen shots of the movie.
'When Nasreen Munni Kabir approached me with the idea to transform this great film into a book, I got very excited as it's one of my favourite films ever. I discussed it with my brothers and they were also very keen to bring this film in book form for today's generation to see, read and understand what 'Awara' was all about,' said Randhir.
Thanking the Kapoor family, Kabir said: 'I'm extremely thankful to the Kapoor family. Without their support this wouldn't have been possible. It's by continuously finding new ways to talk about iconic films, we can keep them alive. A book is a way of keeping record of a film in a different way.'
Rishi Kapoor was also present at the event.
Showing posts with label Rishi. Show all posts
Showing posts with label Rishi. Show all posts
Prithviraj Kapoor Raj Kapoor Father
Sunday, January 25, 2009
Date of Birth
3 November 1906, Peshawar, British India. [now in Pakistan]
Date of Death
29 May 1972, (cancer)
Birth Name
Prithvinat Kapoor
Spouse
Rama Kapoor (1923 - 29 May 1972) (his death) 4 children
Trivia
Son of Dewan Basheswarnath Kapoor. Father of Raj Kapoor, Shammi Kapoor and Shashi Kapoor. Grandfather of Randhir Kapoor, Rishi Kapoor, Rajiv Kapoor, Karan Kapoor, Kunal Kapoor and Sanjana Kapoor. Great-grandfather of Karisma Kapoor and Kareena Kapoor
Considered the most handsome Indian actor of Pre-Independence India and the founder of India's first film family, the Kapoors.
Born in Peshawar in a middle-class landlord family. His father was a police officer. He enrolled at Edward College, Peshawar after finishing his schooling at Lyallpur and Lahore. He was married at 18 and did a year of law after graduation but interrupted his law studies to pursue his dreams of acting.
Was posthumously awarded the Dadasaheb Phalke Award for his contribution to Indian Cinema.
In 1944, he invested in and set up Prithvi Theatre. He was the first to use the concept of modern, professional urban theater in Hindustani. In over 16 years of its existence under Prithviraj Kapoor, the theater did some 2,662 shows, with Prithviraj starring as the lead actor in every single show.
Acted in India's first ever talkie Alam Ara (1931), although not in the lead role, which was given instead to Master Vithal.
Prithviraj did his B.A. from Edward college, Peshawar, a feat that few of his descendants were destined to match. He also studied law as a graduate student for one year, but his heart was in the theatre. In 1928, with the help of a loan from his aunt, Prithviraj moved to the city of Bombay (present-day Mumbai) which is the switch of the Hindi film industry.
He acted as an extra in his first film role, though he grew up to get a lead role for his third Cinema Girl in 1929 [8]. After featuring in nine silent films [9], Kapoor did a supporting role in India's first film talkie, Alam Ara (1931). His performance in Vidyapati (1937) was much appreciated. His best-known performance is perhaps as Alexander the Great in Sohrab Modi’s Sikander (1941). He also joined the only English theatrical company called 'J. Grant Anderson' which remained in India for a year [8]. Through all these years Prithviraj remained devoted to the theatre and performed on stage regularly. He developed a reputation as a fine actor on both stage and screen.
By 1944, Prithviraj had the wherewithal and standing to found his own theatre group, its premiere performance was, Kalidasa's "Shakuntala" in 1944. His eldest son, Raj Kapoor, had already struck out on his own; the films he produced had been successful and this was also an enabling factor. Prithviraj invested in and founded Prithvi Theatre, a travelling troupe which staged memorable productions across India. In over 16 years of existence, the theater staged some 2,662 shows. Prithviraj starred as the lead actor in every single show.[10]
Commemorative stamp celebrating 50 years of Prithvi Theatre, 1945-1995By the late 1950s, it was clear that the era of the travelling theatre was past; that art-form had been irreversibly supplanted by the cinema. No longer was it financially feasible for a troupe of up to 80 people (as Prithvi theatre was) to travel the country for four to six months at a time with their tons of stage props and equipment, living in hotels where possible and at campsites otherwise. The financial returns, through ticket sales and the rapidly diminishing largesse of patrons from the erstwhile princely class of India, was just not adequate to support such an effort. Many of the fine actors and technicians that Prithvi Theatres nurtured had found their way to the movies. Indeed, this was the case with all of Prithviraj's own sons. As Prithviraj progressed into his 50's, he gradually ceased theatre activities and accepted occasional offers from film-makers, including his own sons. Later, under his son, Shashi Kapoor, and his wife Jennifer Kendal, it merged with the Indian Shakespeare theatre company, "Shakespeareana", and the company got a permanent home, with the inauguration of the "Prithvi Theatre" in Mumbai November 5, 1978 [11].
In 1995, the 'Golden Jubilee year' of the founding of Prithvi Theatre, India Post, issued a special two Rupee, 'commemorative' postage stamp in New Delhi [12], it featured the logo of Prithvi Theatre 1945-1995, and an image its founder 'Prithviraj Kapoor', without the name, as just his face seemed enough, being the legend that he had become in his lifetime and beyond in Hindi theatre [13]. The first day cover, (stamped 15-1-95) showed a illustration of performance of travelling theatre in progress, on a stage that seem fit for a travelling theatre, as Prithvi theatre was for sixteen, till 1960 [11].
His notable filmography of this period includes Mughal E Azam (1960) where he gave his most memorable performance as the Mughal emperor Akbar, Harishchandra Taramati (1963) where he played the lead role and unforgettable performances as Porus in Sikandar-e-Azam (1965) and the stentorian grandfather in Kal Aaj Aur Kal (1971) where he appeared with his son and grandson Randhir Kapoor.
Kapoor starred in the legendary religious Punjabi film Nanak Naam Jahaz Hai (1969), a film so revered in Punjab that there were lines many kilometers long to purchase tickets.
He also starred in the Punjabi films Nanak Dukhiya Sub Sansar (1970) and Mele Mittran De (1972).
In 1954, he was awarded the Sangeet Natak Akademi Fellowship, and in 1969, the Padma Bhushan by the government of India. He remained Nominated Rajya Sabha Member for eight years [9].
After his death in 1972, he was posthumously awarded the Dadasaheb Phalke Award for the year 1971. He was the third recipient of that award, the highest accolade in Indian cinema.
As was customary in that era, Prithviraj married at a young age. At age 18, Prithviraj married the 15-year-old Ramsarni Mehra, in a match that was arranged by their families. Their eldest child, Raj Kapoor, was born in December 1924. By the time Prithviraj moved to Bombay in 1928, the couple were the parents of three children. In 1930, Ramsarni joined Prithviraj in Bombay. The following year, while she was pregnant for the fourth time, the couple suffered the tragic loss of two of their three children in the space of one week.[14] One of their children, Devi, died of double pneumonia while the other child, Nandi, died of poisoning in a freak incident when he swallowed some rat-poison pills strewn in the garden.
The couple went on to have four children further. All three of their surviving sons, Raj Kapoor, Shammi Kapoor and Shashi Kapoor, were to become famous actors and film-makers in their own right. They also had one daughter, Urmila.
After his retirement, Prithviraj settled in Bombay, in a cottage near Juhu beach. The property was later to be converted into a small, experimental theatre, the Prithvi Theatre. Both Prithviraj and Ramsarni suffered from cancer in their declining years and died within a fortnight of each other. Prithviraj died on May 29, 1972 and was followed by his wife of 48 years on June 14th the same year.
He acted as an extra in his first film role, though he grew up to get a lead role for his third Cinema Girl in 1929 [8]. After featuring in nine silent films [9], Kapoor did a supporting role in India's first film talkie, Alam Ara (1931). His performance in Vidyapati (1937) was much appreciated. His best-known performance is perhaps as Alexander the Great in Sohrab Modi’s Sikander (1941). He also joined the only English theatrical company called 'J. Grant Anderson' which remained in India for a year [8]. Through all these years Prithviraj remained devoted to the theatre and performed on stage regularly. He developed a reputation as a fine actor on both stage and screen.
By 1944, Prithviraj had the wherewithal and standing to found his own theatre group, its premiere performance was, Kalidasa's "Shakuntala" in 1944. His eldest son, Raj Kapoor, had already struck out on his own; the films he produced had been successful and this was also an enabling factor. Prithviraj invested in and founded Prithvi Theatre, a travelling troupe which staged memorable productions across India. In over 16 years of existence, the theater staged some 2,662 shows. Prithviraj starred as the lead actor in every single show.[10]
Commemorative stamp celebrating 50 years of Prithvi Theatre, 1945-1995By the late 1950s, it was clear that the era of the travelling theatre was past; that art-form had been irreversibly supplanted by the cinema. No longer was it financially feasible for a troupe of up to 80 people (as Prithvi theatre was) to travel the country for four to six months at a time with their tons of stage props and equipment, living in hotels where possible and at campsites otherwise. The financial returns, through ticket sales and the rapidly diminishing largesse of patrons from the erstwhile princely class of India, was just not adequate to support such an effort. Many of the fine actors and technicians that Prithvi Theatres nurtured had found their way to the movies. Indeed, this was the case with all of Prithviraj's own sons. As Prithviraj progressed into his 50's, he gradually ceased theatre activities and accepted occasional offers from film-makers, including his own sons. Later, under his son, Shashi Kapoor, and his wife Jennifer Kendal, it merged with the Indian Shakespeare theatre company, "Shakespeareana", and the company got a permanent home, with the inauguration of the "Prithvi Theatre" in Mumbai November 5, 1978 [11].
In 1995, the 'Golden Jubilee year' of the founding of Prithvi Theatre, India Post, issued a special two Rupee, 'commemorative' postage stamp in New Delhi [12], it featured the logo of Prithvi Theatre 1945-1995, and an image its founder 'Prithviraj Kapoor', without the name, as just his face seemed enough, being the legend that he had become in his lifetime and beyond in Hindi theatre [13]. The first day cover, (stamped 15-1-95) showed a illustration of performance of travelling theatre in progress, on a stage that seem fit for a travelling theatre, as Prithvi theatre was for sixteen, till 1960 [11].
His notable filmography of this period includes Mughal E Azam (1960) where he gave his most memorable performance as the Mughal emperor Akbar, Harishchandra Taramati (1963) where he played the lead role and unforgettable performances as Porus in Sikandar-e-Azam (1965) and the stentorian grandfather in Kal Aaj Aur Kal (1971) where he appeared with his son and grandson Randhir Kapoor.
Kapoor starred in the legendary religious Punjabi film Nanak Naam Jahaz Hai (1969), a film so revered in Punjab that there were lines many kilometers long to purchase tickets.
He also starred in the Punjabi films Nanak Dukhiya Sub Sansar (1970) and Mele Mittran De (1972).
In 1954, he was awarded the Sangeet Natak Akademi Fellowship, and in 1969, the Padma Bhushan by the government of India. He remained Nominated Rajya Sabha Member for eight years [9].
After his death in 1972, he was posthumously awarded the Dadasaheb Phalke Award for the year 1971. He was the third recipient of that award, the highest accolade in Indian cinema.
As was customary in that era, Prithviraj married at a young age. At age 18, Prithviraj married the 15-year-old Ramsarni Mehra, in a match that was arranged by their families. Their eldest child, Raj Kapoor, was born in December 1924. By the time Prithviraj moved to Bombay in 1928, the couple were the parents of three children. In 1930, Ramsarni joined Prithviraj in Bombay. The following year, while she was pregnant for the fourth time, the couple suffered the tragic loss of two of their three children in the space of one week.[14] One of their children, Devi, died of double pneumonia while the other child, Nandi, died of poisoning in a freak incident when he swallowed some rat-poison pills strewn in the garden.
The couple went on to have four children further. All three of their surviving sons, Raj Kapoor, Shammi Kapoor and Shashi Kapoor, were to become famous actors and film-makers in their own right. They also had one daughter, Urmila.
After his retirement, Prithviraj settled in Bombay, in a cottage near Juhu beach. The property was later to be converted into a small, experimental theatre, the Prithvi Theatre. Both Prithviraj and Ramsarni suffered from cancer in their declining years and died within a fortnight of each other. Prithviraj died on May 29, 1972 and was followed by his wife of 48 years on June 14th the same year.
Vyjayantimala had a relationship with my dad
Saturday, December 13, 2008
‘Of course, Vyjayantimala had a relationship with my dad…’
![Sangam[1]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uGzXsfEZOf8pzNd1UIzCGaaNi_HwWnrPobM4tvVcXa0PPzaavgzs2AXrdDn_LFdUB2LUmc2_25g6s04HT2ZfVhrIvQlKoaMv7yae_NnMQAfE3Cl5THPMo0U12J5A=s0-d)
Rishi Kapoor is livid that the yesteryear actress called her link-up with Raj Kapoor a publicity gimmick in her autobiography
In her autobiography titled Bonding... A Memoir, yesteryear actress Vyjayantimala Bali has denied her much-publicised relationship with the late filmmaker Raj Kapoor.
She has not only denied a relationship with him, but has also implied that it was a publicity gimmick fuelled by the PR machinery of the R K Films banner.
After Sunday Mid Day carried excerpts from her book (see box), the legendary filmmaker’s son Rishi Kapoor is furious with her comments.
An irritated Rishi says, “I respect her as a lady and a senior actress, but she is talking rubbish.
Ideally, I would not have commented on this but my father is no more and I am only speaking to defend his reputation.
I will not lie and say that my father didn’t have a relationship with her.
Of course, my dad had a relationship with Vyjayantimala. How can she deny it?”
He adds that the family has suffered greatly on her account. “I remember I was 11 years old when the relationship started, and my mother and the rest of us left our house and lived in Natraj Hotel for four-and-a-half months.
She caused torment to my family, so the least she can do now is own up. Instead, she’s lying and trying to malign my father’s name by saying it was a publicity stunt driven by him.”
Unable to come to terms with the actress’s turnaround, Rishi laughs, “Can you believe it? It’s absurd. My father never needed that kind of publicity.
The whole world knows that Vyjayanti was involved with him. Why is she denying it? This is the case of ‘nau sau chuhe kha ke billi haj ko chali’.”
The actor, who spoke to his siblings after reading excerpts in Sunday Mid Day, asks angrily, “Why just my father, she finally got married to Dr Bali, who was a married man.
His son Ratan Bali (from his first wife) is now with Air India and is possibly a year or two younger than me. I’m sure he suffered too when his father walked out on the family to marry the actress.”
Kapoor is in no mood to forgive such a distortion of facts. “It’s very nice to write your memoirs, but you should have the guts to be honest. You cannot deny facts.
Why did Vyjayantimala write an autobiography if it was going to be fiction? I would never have reacted to her book if she hadn’t stirred up a hornet’s nest by distorting facts,” he concludes.
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