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Showing posts with label Shahi. Show all posts
Showing posts with label Shahi. Show all posts

Raj kapoor about Amitabh Bachchan



Now that Amitabh Bachchan has entered the battle, on the side of the film industry, the industry is confident that it will overpower the wicked government and win.


Raj Kapoor, the well-known film-maker, was telling me about this am casting Amitabh with Dharmendra, no more of this Sunil Dutt. I mean, he is alright taking out these morchas and making representations to the government, but our fight has gone beyond that stage. Assisting the two will be Hema Malini and Rekha, but the women are there mainly to keep the government interested in the strike.

How will Amitabh end the strike?� I asked.
I am still working on the script,�Raj Kapoor said. But he is a mard and naturally he will use his two hands, his six-shooter, his sword, the helicopter from which he will jump on Mantralaya etc. in between, there may be one or tow songs, or three or four, but that is once again only so that the government does not lose interest in the strike. Already it seems to have forgotten that the industry is on strike.

Will Amitabh fight the government as an actor or as an MP or as a minister-to-be or what? I asked.

You know he is a master of disguises, so he will be wearing various disguises and fighting the government, one minute MP, one minute Aaj Ka MLA, one minute orphan in search of his lost brother, who finally will turn out to be Mithun Chakravorty, the dancer,� Raj Kapoor said. By the time the finishes with the government, it will wish it had never introduced the new sales tax.

You strike leaders think of every thing, I said.

We have to, Raj Kapoor said. After all, we are fighting the government, not just Amjad Khan or Pran or Prem Chopra. The government, not just Amjad Khan government will have the police on their side, but the people will be on our side. Shashi Kapoor will play an honest police officer, grey hair on the temples etc., whose conscience will not allow him to carry out the government's orders.

It is going to be a battle royal, I said.

Yes, royalty also will be there, he said. One of the older actresses will play a maharani and Saeed Jaffrey will be her diwan-e-khans. Once you decide to defy the government, and work Amitabh into the script, you have to go all out.

Absolutely,� I said. When do you plan to let Amitabh lead the fight?

Once the strike has ended and we can start making films again, naturally, Raj Kapoor said.

http://s6.zetaboards.com/RKForum/topic/751857/1/?x=0#post36101

Prithviraj Kapoor Raj Kapoor Father



user posted image
Date of Birth
3 November 1906, Peshawar, British India. [now in Pakistan]

Date of Death
29 May 1972, (cancer)

Birth Name
Prithvinat Kapoor


Spouse
Rama Kapoor (1923 - 29 May 1972) (his death) 4 children

Trivia
Son of Dewan Basheswarnath Kapoor. Father of Raj Kapoor, Shammi Kapoor and Shashi Kapoor. Grandfather of Randhir Kapoor, Rishi Kapoor, Rajiv Kapoor, Karan Kapoor, Kunal Kapoor and Sanjana Kapoor. Great-grandfather of Karisma Kapoor and Kareena Kapoor

Considered the most handsome Indian actor of Pre-Independence India and the founder of India's first film family, the Kapoors.

Born in Peshawar in a middle-class landlord family. His father was a police officer. He enrolled at Edward College, Peshawar after finishing his schooling at Lyallpur and Lahore. He was married at 18 and did a year of law after graduation but interrupted his law studies to pursue his dreams of acting.

Was posthumously awarded the Dadasaheb Phalke Award for his contribution to Indian Cinema.

In 1944, he invested in and set up Prithvi Theatre. He was the first to use the concept of modern, professional urban theater in Hindustani. In over 16 years of its existence under Prithviraj Kapoor, the theater did some 2,662 shows, with Prithviraj starring as the lead actor in every single show.

Acted in India's first ever talkie Alam Ara (1931), although not in the lead role, which was given instead to Master Vithal.
Prithviraj did his B.A. from Edward college, Peshawar, a feat that few of his descendants were destined to match. He also studied law as a graduate student for one year, but his heart was in the theatre. In 1928, with the help of a loan from his aunt, Prithviraj moved to the city of Bombay (present-day Mumbai) which is the switch of the Hindi film industry.

He acted as an extra in his first film role, though he grew up to get a lead role for his third Cinema Girl in 1929 [8]. After featuring in nine silent films [9], Kapoor did a supporting role in India's first film talkie, Alam Ara (1931). His performance in Vidyapati (1937) was much appreciated. His best-known performance is perhaps as Alexander the Great in Sohrab Modi’s Sikander (1941). He also joined the only English theatrical company called 'J. Grant Anderson' which remained in India for a year [8]. Through all these years Prithviraj remained devoted to the theatre and performed on stage regularly. He developed a reputation as a fine actor on both stage and screen.

By 1944, Prithviraj had the wherewithal and standing to found his own theatre group, its premiere performance was, Kalidasa's "Shakuntala" in 1944. His eldest son, Raj Kapoor, had already struck out on his own; the films he produced had been successful and this was also an enabling factor. Prithviraj invested in and founded Prithvi Theatre, a travelling troupe which staged memorable productions across India. In over 16 years of existence, the theater staged some 2,662 shows. Prithviraj starred as the lead actor in every single show.[10]


Commemorative stamp celebrating 50 years of Prithvi Theatre, 1945-1995By the late 1950s, it was clear that the era of the travelling theatre was past; that art-form had been irreversibly supplanted by the cinema. No longer was it financially feasible for a troupe of up to 80 people (as Prithvi theatre was) to travel the country for four to six months at a time with their tons of stage props and equipment, living in hotels where possible and at campsites otherwise. The financial returns, through ticket sales and the rapidly diminishing largesse of patrons from the erstwhile princely class of India, was just not adequate to support such an effort. Many of the fine actors and technicians that Prithvi Theatres nurtured had found their way to the movies. Indeed, this was the case with all of Prithviraj's own sons. As Prithviraj progressed into his 50's, he gradually ceased theatre activities and accepted occasional offers from film-makers, including his own sons. Later, under his son, Shashi Kapoor, and his wife Jennifer Kendal, it merged with the Indian Shakespeare theatre company, "Shakespeareana", and the company got a permanent home, with the inauguration of the "Prithvi Theatre" in Mumbai November 5, 1978 [11].

In 1995, the 'Golden Jubilee year' of the founding of Prithvi Theatre, India Post, issued a special two Rupee, 'commemorative' postage stamp in New Delhi [12], it featured the logo of Prithvi Theatre 1945-1995, and an image its founder 'Prithviraj Kapoor', without the name, as just his face seemed enough, being the legend that he had become in his lifetime and beyond in Hindi theatre [13]. The first day cover, (stamped 15-1-95) showed a illustration of performance of travelling theatre in progress, on a stage that seem fit for a travelling theatre, as Prithvi theatre was for sixteen, till 1960 [11].

His notable filmography of this period includes Mughal E Azam (1960) where he gave his most memorable performance as the Mughal emperor Akbar, Harishchandra Taramati (1963) where he played the lead role and unforgettable performances as Porus in Sikandar-e-Azam (1965) and the stentorian grandfather in Kal Aaj Aur Kal (1971) where he appeared with his son and grandson Randhir Kapoor.

Kapoor starred in the legendary religious Punjabi film Nanak Naam Jahaz Hai (1969), a film so revered in Punjab that there were lines many kilometers long to purchase tickets.

He also starred in the Punjabi films Nanak Dukhiya Sub Sansar (1970) and Mele Mittran De (1972).

In 1954, he was awarded the Sangeet Natak Akademi Fellowship, and in 1969, the Padma Bhushan by the government of India. He remained Nominated Rajya Sabha Member for eight years [9].

After his death in 1972, he was posthumously awarded the Dadasaheb Phalke Award for the year 1971. He was the third recipient of that award, the highest accolade in Indian cinema.

As was customary in that era, Prithviraj married at a young age. At age 18, Prithviraj married the 15-year-old Ramsarni Mehra, in a match that was arranged by their families. Their eldest child, Raj Kapoor, was born in December 1924. By the time Prithviraj moved to Bombay in 1928, the couple were the parents of three children. In 1930, Ramsarni joined Prithviraj in Bombay. The following year, while she was pregnant for the fourth time, the couple suffered the tragic loss of two of their three children in the space of one week.[14] One of their children, Devi, died of double pneumonia while the other child, Nandi, died of poisoning in a freak incident when he swallowed some rat-poison pills strewn in the garden.

The couple went on to have four children further. All three of their surviving sons, Raj Kapoor, Shammi Kapoor and Shashi Kapoor, were to become famous actors and film-makers in their own right. They also had one daughter, Urmila.

After his retirement, Prithviraj settled in Bombay, in a cottage near Juhu beach. The property was later to be converted into a small, experimental theatre, the Prithvi Theatre. Both Prithviraj and Ramsarni suffered from cancer in their declining years and died within a fortnight of each other. Prithviraj died on May 29, 1972 and was followed by his wife of 48 years on June 14th the same year.

Satyam Shivam Sunderam, Worth while understanding this movie


From the Forum
Pratik:
"Satyam Shivam Sunderam," released in the late 1970's was perhaps one of the most controversial movies at the time as it involved scenes that were not allowed in the Hindi film industry, now known as "Bollywood." This were the kissing scenes where Shashi Kapoor, the younger brother of Raj Kapoor, kissing Zeenat Aman on the lips. But what this movie really showed that amongst many things is that sometimes what we see is not rally what it is. For this reason the late Raj Kapoor used the topic of a disfigured woman who falls in love with a man who hates ugliness and disfurement. At the time of making this movie, actress Zeenat Aman was (and I think that she atill is) beautiful but yet on side of her in the story she is disfigured, which Shashi Kapoor does not see until the night of their wedding and he thinks that this is not the same woman that he loves and throws her out but is then forced to take her back. But to be close to him, she re - hides her disfigurement and meets him secretly.

This movie has another message and that is that beauty is in the eyes of the beholder and also god is ultimate.

Originally, Rajesh Khanna was to play the part that was played by Shashi Kapoor as he was considered to be the only actor who was and is capable of showing expressions in an appropriate manner as required by the director in front of a camera. But for some unknown reasons, the role was then offered to Shashi Kapoor. However the role that Zeenat Aman played as "Roopa," the disfigured woman, was offered only to her and no one else. The reason being is that she had a good figure and also as mentioned before - beautiful and lastly Rajji thought that she could handle this role very well. Lastly, this the film in which actress Padmini Kohlapure was introduced even though she was only a child - she played the role of "Roops" as a child. She later, off course went on to become a big time actress as have almost all Raj Kapoor protoge actresses. She also was the main actress in R.K.'s "Prem Rog."

This is one movie that has songs that are more like "bhajans" and does contain some beautiful photography, which is really worth while to watch. I would say that this was one of Raj Kapoor's most memorable films that he produced and directed. And off course, like all his films, it had a story to tell with a lot of meaning.

Interesting post on this underrated film...
I havent seen it in a few years, deserves a re-watch :)

kkm:
@Pratik
nice write up
i would like to add that this film raj saab planned with lata in mind and lata agreed initially but backed off later
this film did not do well at box office and i read somewhere on the net that raj saab blamed zeenat
but still its a beautifull movie and the rythum of song stayam shivam sundaram is out of this world

RajKapoorFan:
I don't think that Zeenat can be the Problem in this movie I believe that the People that go to see that Just don't like to see that the hasband think that he marry to other woman and go to the woman that he think that she is his lover but she the same woman that marry him. I think that it woes the people that don't understand the movie. But I Do like the movie. My Siser hate this movie only beacuse what that Raj Kapoor do to Zeenat face.

Sabzi_Nic:
I think the film wasn't receieved well in its time because of the partial nudity, it must have been shocking for people, I think it was tastefully done though.

You Right Sabzi It also can be a problem.

chk this out
Zeenat tried her best to find recognition as a good actress but unfortunately never succeeded. She made one last attempt when she tried her best to impress Raj Kapoor. She played the true Indian woman who was more soul than body, according to Raj Kapoor in his film 'Satyam Shivam Sundaram' but like Raj Kapoor himself confessed, 'people will come' to see Zeenat's body but will go back seeing the soul of my film. It is through her beautiful body that I am discovering the soul of the beauty of a woman.' Both Zeenat and 'Satyam Shivam Sundaram' flopped at the box office which was a major setback for Raj and left Zeenat a heart broken actress.

It is wily Sad I sorry for Both of them.
 
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