One Special Movie.

Barsaat is one of the must different movie that Raj Kapoor Directed, even different then his other movie that he directed. The Music is so classic and all the songs get to be big hits. The movie also gets Award as the Greatest Bollywood Soundtracks and lading to the First Place. The best work of Shankar-Jaikishan, Hasrat Jaipuri, Shailendra, Ramesh Shastri & Jalal Mahilabadi and Lata Mangeshkar with her amazing voice.

Raj kapoor add to this movie many emotions.
Two friend, that go to vacations on they car. Two friend but so different from each others. Pran (Raj kapoor) fell in love with a poor girl that not learns noting about the life. Pran woes love her so when she woes in his arm he woes Cry and answer in Different way….:



“There no life without laughter and Tears. These Joys and sorrows for the design of love. Without tears real love doesn’t exist.
Smiling Flowers, Crying dew drops the combination of beauty and love. Is beautiful that happened when you in love. That is why love is measured not in terms of time but in terms of longing.”

What make Raj Kapoor Say same thing like that?
And why after She missing and He think she diet. His friend takes him for a woman. He doesn’t like it but he touches the woman feet why?



Human Values
Like Ritu Nanda write in her books Raj kapoor Woes Maybe young on 23 years old but in his eyes that he sees already every thing and Know many things that people like us don’t learn in 23 Years old.
The movie Barsaat make with many Emotions of Love.

About the part that Raj kapoor answer to Nargis after she see him cry. It the true about the life. Every one cry or laugh in his life we always have bad moments in our life and also bad.
True Love wily can’t exist with out tears. If you well look around you see many people that Cry when they in love. In English movie when man tell a woman that he love her and she don’t know this she smile but with tears in the eyes. When same one asks a woman to marry him she smile and have tears in the same time. When the man go and leave the woman back in home and go to army they cry and smile and when he be back and they hug they again and cry again this time from happiness. This in are life in the same screen Raj Kapoor not cry because she sing her song. Like he say Love don’t have time it just happened like that. Before Raj Kapoor Cry he smile to Nargis in the beginning and then a minute latter he get sad Same time the tears comes with out you know this. This what happened when you love.
Even it happened to me when I hear same song that I wily love and it sound so nice to my hears I don’t know how because I start to cry then. I even don’t know why but this is the real way of love.
Woman Honors.

Like I Know Raj Kapoor always give honors to Woman. He says the woman is the person that bring us to life and give us life with out we woes can’t keep our generation.
Human Values.



The friend takes him to same woman that seal love. He don’t like at and don’t won't to go in and even touch her. Then he hear a baby cry the woman go to the room and take the kids in her Hand he ask her about his father and she say that he don’t know that he have a child. He sees how much the kid sick and leave to her same money and touch her like and leave.





Raj kapoor try to show the way of the woman that seal they love for the sick of They kids The touching Legs Mean:
Like I Say before Raj Kapoor woes give honor to the woman. That she woes seal her lover for her sick kids. Because this Raj kapoor Touch her Legs. In India you give people honor by touching they legs. After he understands why she does at he gives her honor.

Then when He Back to his friend He tells him that she a mother and his friend ask why? He answer “Not a woman love she going to sold but a mother love. You don’t understand you are modern thinking”

This Also the true about our life and same of them stile exist. Same woman work for they family in this way.
This true what Raj say to the his friend same People know about that and same people know that this exist but they close they eyes.

This movie have a lot Human Values many emotions Even the Songs about the true about the life in our life and the music give at moor design of Love and emotions.

This movie is not a film maker It emotions it human Values.
That why no one can Remake this movie and even can get to the way of Raj kapoor Making movies.

Making Films is something else. Being human is something else.
When you mix it that Our Raj Kapoor.
http://s6.zetaboards.com/RajKapoorFanclub/forum/28163/

Jaane Kahaa Gaye Wo Din Lyric

Lyric

Jaane Kahaa Gaye Wo Din
Kahate The Teree Raah Me
Najaron Ko Bichhayenge
Chaahe Kahee Bhee Tum Raho,
Chaahenge Tum Ko Umarbhar
Tum Ko Naa Bhool Paayenge

Mere Kadam Jahaa Pade,
Sajade Kiye The Yaar Ne
Muz Ko Rulaa Rulaa Diyaa,
Jaatee Huyee Bahaar Ne
Apanee Najar Mein Aaj Kal
Din Bhee Andheree Raat Hai
Saayaa Hee Apane Saath Thaa,
Saayaa Hee Apane Saath Hai

---

Translate: English

“I wonder where those days have gone

When you Used to say: ‘on path of love…’

“My Eyes will see only you”

“I wonder where those days have gone

When you Used to say: ‘on path of love…’

“My Eyes will see only you”

“Where ever you may be

I will desire you as long as I live

I will never be able to forget you”

“Where ever I tread My path was strewn With you love

Where ever I tread My path was strewn With you love

Tears Have welled in my eyes. I have made to cry…

By the spring as it passed me by”

“I wonder where those days have gone

When you Used to say: ‘on path of love…’

“My Eyes will see only you”

“Where ever you may be

I will desire you as long as I live

I will never be able to forget you”

“These days, Where ever I look

I see darkness in the bright sunlight

These days, Where ever I look

I see darkness in the bright sunlight

My Shadow was my only companion

My shadow remains my only companion”

“I wonder where those days have gone

When you Used to say: ‘on path of love…’

“My Eyes will see only you”

“Where ever you may be

I will desire you as long as I live

I will never be able to forget you”

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Barsaat Car

This is the Car that Raj Kapoor Use on the Film Barsaat


after success of barsaat raj bought an oldsmobile convertible


http://z6.invisionfree.com/RKForum/index.php?showtopic=620

Radhu Karmakar

"When Nargis left R. K. Films in 1956, after her cameo in Jagte Raho, Raj Kapoor was devastated. He could not get over the fact that Nargis had indeed left him for good. He was tormented and had the appearance of a man who had lost his soul, as indeed he had. It was Nargis who was his inspiration from Aag onwards and he was artistically, a lonely man without moorings..."

These are some excerpts from the autobiographical book of Radhu Karmakar, the great camera artiste of Raj Kapoor. This book "Radhu Karmakar - The Painter of Lights" is the story, in his own words, of a very talented and self-effacing person who was a genius behind the camera. Radhu Karmakar desired neither fame nor fortune, and his ultimate ambition in life was to make a perfect film like Orson Welles' "Citizen Kane", says his wife Bani Karmakar.

Long dark path

Radhu started his film career with "Kismat ki Dhani" (1945) which was followed by "Milan" (1946, director Nitin Bose), and other super hits like "Jis Desh Mein Ganga Bahti Hai" (1958, Radhu Karmakar), "Mera Naam Joker" (1965, RK). "Param Vir Chakra", completed in 1995, was has last film.

Radhu has painstakingly studied the art of different cinematographers. From this book, we come to know that Radhu travelled a long dark path to attain the light of success. His years of struggle continued from 1931 to 1938. "I struggled a lot under stress," he writes.This interesting book opens the doors of nostalgia and re-explores the pretty as well as bitter side of the film industry. We come across the familiar stories of Bombay Talkies, Devika Rani and Ashok Kumar but in a different perspective. Since Radhu was a creative light and camera artiste, he had a close view of great personalities. This book moves in phases. Part one comprises Flash Back (1896-1960) and then it proceeds from the golden age to the Nargis era and finally fades out with Raj Kapoor.

http://z6.invisionfree.com/RKForum/index.php?showtopic=616

Raj Kapoor's familiarity in China Revealed

Minister of Tourism and Culture Ambika Soni had a surprise to hear that Raj Kapoor who is known popular in Soviet Union and today's Russia, also equally familiar with Chinese older generation.

While she was attending an award function a senior citizen approached her and enquired about screening of Indian film stars or songs would be a part of the festival she answered in negative, the elderly person recounted with her by saying that he grown up listening to the songs of Raj Kapoor's film 'Awara'.

The minister was surprised to hear such words since it is restricted to the knowledge that RK was familiar with Russia alone.

Raj Kapoor through his films even penetrated beyond so far known boundaries, as it reveals by the event.

But RK once told during the visit to USSR, "My popularity in Russia is a phenomenon I can't explain myself, except that my films Awara and Shree 420 came at an opportune moment, when the Russian people were changing themselves culturally. In these films they saw the spirit of the Indian youth in revolt and they loved him, as he became the symbol of their own spirit. This identity with the Indian youth that I portrayed drew us closer; our friendship has been a long-standing one. Even today I get a warm welcome from them."

This version seems to be applicable to all regimes where ever there is a change and transformation happens as China also experienced such moments in the post-Mao lead revolution.

http://z6.invisionfree.com/RKForum/index.php?showtopic=570

Aag 1948

If You see Aag and See at with out losing any point. You can find that Raj Kapoor Re Shoot Same Screen.
About what I talking Late I Show. In the beginner of the movie Aag Raj don't Have mustache. (What make weird to see him With out) So I Take to Screen from the Beginner of the Movie


Here you can see Raj Kapoor With out Mustache.


After 2 second from the second screen you See Raj Kapoor With His Mustache

And then Back with out Mustache?


But I love the part with the mustache (Yeah I Name at like that) It so amazing all the place is Dark and only a little Fire next to him. Light his Face.

I love the way he shoot movies amazing!

http://z6.invisionfree.com/RKForum/index.php?showtopic=523

News from Raj Kapoor Fanclub

Before a week we Talk about Same Good Idea that give us our friend from the Forum Kkm.

The Idea is that any Two Weeks we Upload Raj Kapoor Movies from Beginning. Today Is Aag.

First all the members have to Watch the movie Before. Then we comment on the movie including each and every scene, song dialogues,direction etc etc

So every two weeks we going to watch and Comments about Raj Kapoor Movie.

*If you dont have the movies dont worry we upload all the full movie on the Forum Include English Subtitle.

See you all soon

RajKapoorFan

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Raj Kapoor FanClub Website

Raj Kapoor Fanclub Like to Invit You to Raj Kapoor Fanclub Website.

What can you find in the webside

Raj Kapoor BioGraphy and Film Biography, Film that he Act, Direct, Proudec and Write.You also Can fine Many photos Of Raj Kapoor Person Life and In the Movie.

You can Heir and Watch Raj Kapoor Songs from all the Years.

You also can Find moor Info about Raj Kapoor Fanclub Forum.

Dont Forget to Visit as.

http://rajkapoorfanclub.bravehost.com/

Raj Kapoor: The Face Behind The Star

Book: Raj Kapoor
Author: Ritu Nanda
Publisher: R K Studios and Films
Page: 221

Lata Mangeshkar was the inspiration behind Raj Kapoor’s Satyam Shivam Sundaram and he wanted to cast her in the 1978 R K Banner film, reveals Raj Kapoor’s daughter Ritu Nanda in her latest book.

“I visualised the story of a man falling for a woman with an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role,” the book quotes Raj Kapoor as saying.


“I visualised the story of a man falling for a woman with an an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role,” Ritu Nanda quotes Raj Kapoor as saying.He believed that love and faith were contingent on purity of any relationship not on beauty. The book Raj Kapoor further says that Lata who had initially agreed to act in the film later declined the offer.

The book, which is a Hindi version of 2002 published book Raj Kapoor Speaks, released recently at a function held in the capital.

The book talks at length about Raj Kapoor’s relationships with his female co-stars particularly his bonding and later estrangement with Nargis. “Raj Kapoor’s egoistic tendencies and the futility of the future of their relationship made the ending of the relationship inevitable,” believes the author.

Raj Kapoor later recalled, accepting Mother India was probably the toughest decision for Nargis. She had to decide whether to continue a relationship with Raj Kapoor without any future or to create a new life for her by leaving R K Studio, Ritu says.

Although Raj Kapoor never defined their relationship, he once said, “We understood each other. I cannot express my feelings towards her. No, it was not love, although I liked her very much. Probably it was a great emotional bonding of two great artists.”

Nargis inspired Raj Kapoor in many ways. He met her when he was working on his first movie Aag. Describing his reaction, Raj Kapoor said that Nargis was a ‘fairy’ and later used this very scene in his movie Bobby.

It is quite clear that despite all the hardships that they faced, their respect for each other was mutual. Even the RK logo is somehow inspired by the legendary actress. Inspired by a still from his second movie Barsaat in this famous scene Raj Kapoor is holding Nargis in his one hand and a violin in the second.

This exalted image of love, beauty and music became the logo and identity of RK Studio. Perhaps the greatest irony of the showman’s life was that his best movies flopped badly on box office and pushed him into great financial troubles.
He could never get over with the failure of Mera Naam Joker and Jagte Raho,(his last movie with Nargis). These movies remained very dear to him. Raj Kapoor felt that these movies were ahead of their times and could not appeal to the public at that time.

Raj Kapoor’s love for the common public was represented in his movies. He said, “From my very first movie, I have played ordinary characters. I never tried to play the role of a blue eyed handsome young man in my movies.”

Raj Kapoor believed that the audience had to identify with whatever was happening on the screen. It was his measure of making the right movie. “Never make anything in which you have no faith… I had the offer of some great movies which had all the material to be successful but I did not make them because they failed to inspire me.”

Raj Kapoor, who has often been criticised for exploiting the nubile charms of his leading ladies had a very liberal view on presenting women, the book says.

Questioning this criticism he once said, “We are shocked to see nudity, we need to get mature. I have always respected women but don’t understand why I am accused of exploiting them. Fellini’s nude woman is considered Art but when I show a woman’s beauty on screen, then it is called exploitation.”

Commenting upon his “miraculous popularity” in Soviet Union, the showman believes that the Russians fresh from a mass revolution identified with his ordinary hopeful heros.

“My miraculous popularity in Russia has often left me wondering…Probably it had to do with the fact that Awara and Shree 420 were released there at a time when they were going through a great cultural revolution. My heroes became a symbol of their own struggles and aspirations,” the book says.

Cinema was Raj Kapoor’s life, his soul and the reason of his very existence. They signified the struggle and dreams of a nascent nation in search of a new identity.

His movies represent eternal hope. In his own words, “When I die bring my body to my studio. It is quite possible that I may wake up amid their lights shouting Action…Action”.