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Aag Album


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Aag 1948
Actors : Nargis, Nigar Sultana, Premnath, Raj Kapoor, Vyas B M
Director : Raj Kapoor
Music Director : Ram Ganguly
Producer : RK Films
Theme : Love
Year : 1948

Dekh Chand Ki Or
Dil Toot Gayaji
Kahe Koyal Sour Machaya Re
Na Ankhon Mein Ansoo
Raat Ko Ji
Solah Baras Ki
Zinda Hoon Si Tarah

This is the life of cinema Business - Fan Song


This song I write after Read the Latter of Raj Kapoor to his Wife Krishna Kapoor. It make me sad so I start write this song.

I sit here and writing
What happened to me
I won't you to know
What happened to me
I won't you to know
That I don’t won't that happened
This How I write
What Happened to me

I can’t keep thinking like this
How I can do all this like this
How I hurt you many times
How I can pay now about all my mistake

I won't you to know
That just you I love
I won't you to know
That just you I won't
I won't you to know that in all the world
There just one woman that I won't to live with her

Behind all the thing I pass
I don’t won't that it turn to be like this
Behind all the thing I do
I don’t won't that they be like this
But what can I do…
This is the life of cinema Business

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Who is it?


Do you know how is it in the Photo?
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Yes this our Raj Kapoor the only one
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Letter With tear


This is a Letter that Raj Kapoor Write to his wife before leaving for the North Eastern Frontier at the time of India's was with China. This Letter make me always cry when I Read that again and again.

To you, my eternal love and life, to you, Mother of my children, my dear wife Krishna, I am addressing a few words to express an emotional consciousness that is the truth and reality. Admitting to all my faults and shortcomings in all spheres of my life, domestic as well as worldly. Whenever I have failed to reciprocate love and affection from my very own near and dear. It is not that I am not aware of all the feelings of belonging bestowed on me, but that in my maddening self-centeredness!.....
I am unable to express that as much as you all belong to me, my bond to you becomes stronger than ever.Maybe it is this.that gives me strength to act and react to all diversities of life pertaining to my very existence, namely, my work.You know very well I am an impulsive man. But one thing is clear to me, and that is we both have to create an atmosphere of communion with each other. Let me be the first to reach out and tell you no matter what I am, who I am and where I am, the imperishable truth is that I am, and I am yours.

While entertaining the soldiers he said: 'I would like you to know that you are not alone here to defend our motherland. We, the artists.the whole nation, are behind you. The stronger and braver you are, the safer will be your brothers, sisters, children and parents.our whole country.'

When I sit back at the end of the day, I feel very sorry for all the pain that I have given you (his wife Krishna). How can I bring those days back for you? But show business is such that a woman has to be understanding because there are constant emotional involvements, because the work is such. For Krishna, though, the mere fact that her husband appreciated her patience and love was all the compensation she wanted.
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Sunehre din - ScreenShoot

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SUNEHRE DIN (1949)
RAJ KAPOOR. REHANA, NIGAR SULTANA, HARUN, HIRA SAWANT, ROOP KAMAL, KAMLA KANT
Produced By: JAGAT PICTURES
Directed By: SATISH NIGAM
Music By: GYAN DUTT


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To View moor Screen Shoot from the movie Click here
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Madhubala

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Date of Birth
14 February 1933, Delhi, India
Date of Death
23 February 1969, Bombay, India (hole in the heart)
Birth Name
Begum Mumtaz Jehan Dehlavi

Nickname
Venus Queen

Mini Biography
Arguably the most beautiful artiste to ever grace the Indian screen, Madhubala rose from humble beginnings to become the most captivating star India has ever produced. Madhubala was born Mumtaz Jehan Begum on Valentine's Day 1933, in a poor, conservative family of Pathan Muslims in Delhi, a part of a prolific brood of sisters, and entered the world of films at the tender age of eight. After about five years of playing child roles, Madhubala got her first break in a lead role in Neel Kamal (1947), produced anddirected by her mentor, veteran filmmaker Kidar Sharma. At the age of 14, she played a romantic lead against another fledgling star, Raj Kapoor, and Madhubala had finally arrived on the Indian screen. Over the next two years she had blossomed into a truly rapturous beauty (which earned her the sobriquet of the Venus Of the Indian Screen) and with the movie Mahal (1949), literally overnight, she was a superstar.

It has been often said that her beauty overshadowed her acting talents, which to an extent is true; however this was more due to poor judgement than lack of talent. Being encumbered by a large family to support, and forever living under the domination of an imperious father who, she made several poor choices in movies which seriously undermined her credibility as a serious performer, to the extent of being labelled "box-office poison". However, her more or less dismal repertoire in the 50s was marked by spots of true brilliance - movies like Tarana (1951), Mr. & Mrs. '55 (1955) and of course her swansong Mughal-E-Azam (1960) showcased her remarkable talents as a serious artiste across several genres and revealed what this ethereal beauty was truly capable of.

Sadly, she was plagued by a persistent heart disease that confined her to a bed for almost nine torturous years, and eventually claimed her life on February 23 1969, nine days after her 36th birthday. In this short life, she had made over 70 movies, and to this day remains one of the most enduring legends of Indian cinema.

Madhubala And Raj Kapoor Bring the Screen of two Star show how to make love with they Eyes In the Both First Movie Neel Kamal (1947).
Raj Kapoor and Madhubala Play Three time together in
Neel Kamal (1947)
Dil-Ki-Rani (Sweet-Heart)
Do Ustad



Madhubala had many successful films following Mahal. With pressure to secure herself and her family financially, she acted in as many as 24 films in the first four years of her adult career. Her co-stars at the time were the most poular of the period: Ashok Kumar, Raj Kapoor, Rehman, Pradeep Kumar, Shammi Kapoor, Dilip Kumar, Sunil Dutt and Dev Anand. Madhubala ... appeared along side many notable leading ladies of the time including Kamini Kaushal, Suraiya, Geeta Bali, Shyama and Nimmi. The directors she worked with were amongst the most prolific and respected: Mehboob Khan, Guru Dutt, Kamal Amrohi and K. Asif . She also ventured into production and made the film Naata (1955) which she also acted in. Source:
Born in abject poverty, the 5th of 11 children, Madhubala began life in the film world as a child star, Baby Mumtaz, in films like Bombay Talkies Basant (1942). It was Kidar Sharma who gave her a break as heroine opposite Raj Kapoor in Neel Kamal (1947).
Source:
upperstall.com In 1966, with a slight improvment in her health, Madhubala tried working again opposite Raj Kapoor in the film Chalack. Film media heralded her "comeback" with much fanfare and publicity. Stills from this time showed a still beautiful but pale and wan-looking Madhubala. However, she collapsed on the first day of shooting and the film was shelved.
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Awaara In Turkish

Kkm Find same Weird Video clip in Youtube... A Re making of Awaara In Turkish.
Our Turkish member Hale say that
This is a part remake of Awaara (in Turkish Avare-1964)with the
Turkish famous and also very successful actor Sadri ALISIK(in the role of Raj Kapoor)
and a Turkish singer Ajda PEKKAN(in the role of Nargis)
and Turkish actor Kenan PARS (in the role of Judge Raghunath-Prithviraj Kapoor) on the last scene of Turkish Awaara...

Young woman lawyer defends her client( her love at the same time)and the judge at the end accept the situation and tells to the law court that young man is his son...

The Re making



The Original Movie with the same Scene

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